
A reflected image within a pond…
submitted in response to Lost in Translation’s photo challenge: double

A reflected image within a pond…
submitted in response to Lost in Translation’s photo challenge: double

Nikon D750 40mm f/3.3 1/4000s ISO 100
This image of a collection of beard’s goats
is being submitted to a challenge posed by Musin’ With Susan.
creating meaning by superimposing one story onto another…so many after-images, after-thoughts echoing through my mind leaving me to grieve the fading day.

“It is such a secret place, the land of tears. …One runs the risk of weeping a little, if one lets himself be tamed. …And when your sorrow is comforted (time soothes all sorrows) you will be content that you have known me.”
Antoine de Saint-Exuprey, The Little Prince

architectural layers within window reflections
…there is no where to travel. I’ve already arrived…nowhere else to go…it is only and ever the here and now.
~ Radiant Mind, Peter Fenner

…the clearing in the still center of becoming, the track on which the centered person moves – it whispers, “Realize me.” But no sooner is it glimpsed than it is gone.
~Stephen Bachelor

Together with my Roget’s International Thesaurus, I selected these following images for September’s “pick a word” challenge…
can a journal be populated with words? can words inhabit a journal?

nature, by her very nature is time sensitive

words and letters are often very companionable

love these burgeoning plants that grow alongside a local trail

clandestine…walking through an alleyway wondering what is hidden behind those locked gates

Hopefully I will be forgiven for only including one color image for this Lost in Translation’s photo challenge.
…instead of a coherent personality that stretches back in an unbroken line to a first memory and looks forward to an indefinite future, we discover a self ridden with gaps and ambiguities. Who “I am” appears coherent only because of the monologue we keep repeating, editing, censoring, and embellishing in our heads.

Perception is never purely in the present – it has to draw on experiences of the past; … ‘the remembered present.’ We all have detailed memories of how things have previously looked and sounded, and these memories are recalled and admixed with every new perception.
~Musicophilia
Oliver Sacks


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