a single leaf falls
then suddenly another,
stolen by the breeze
~Ransetsu

a single leaf falls
then suddenly another,
stolen by the breeze
~Ransetsu

…
Every day my anxiety grew deeper,
until it enveloped me so thickly
that I could see nothing.
Alone in an illimitable desert
I wept hopelessly, as if in a nightmare in dawn
where the open mouth blue sky wept with me.
…
~Nakamura Chio*

my gift to you today…awakening seeds of calmness… right diligence
*cited:
Women Poets of Japan
K Rexroth & I Atsumi
There is a peaceful community
in a place of burned up hopes,
beside the tracks of dreams
that drifted away
on the edge of a village
where crowds pass by.
There, men gather in harmony
to gaze like sheep and fawns.
On all the beautiful flowers
a sun comes and goes
through the clouds in freedom.
~Mitsui Futabako*
*cited:
Women Poets of Japan
K Rexroth & I Atsumi

somewhere in multiple layers of perspective is…a truth.
A multiple exposure image submitted in response to Lost in Translation’s challenge.
The autumn wind is light,
The autumn moon is bright;
Fallen leaves gather but then disperse,
A cold crow roosts but again he stirs;
I think of you, and wonder when I’ll see you again?
At such an hour, on such a night, cruel is love’s pain?
~Li P0*

*cited:
Li Po and Tu Fu
A Cooper
They ask me where’s the sense
on jasper mountains?
I laugh and don’t reply,
in heart’s own quiet:
Peach petals float their streams
away in secret
To other skies and earths
than those of mortals
~Li Po*
Resilient: multiple exposure images of the ever-changing landscape along Hwy. 287 between Laramie, Wyoming and Fort Collins, Colorado in combination with Li Po’s poem, In the Mountains: A reply to the Vulgar” reflect the resilience of time and words.
*cited:
Li Po and Tu Fu
A Cooper
Beneath a tree,
autumn wind shows itself
in a single leaf ~Junkaku*

*cited:
Haiku before Haiku
S Carter

The fall of leaves
has left some autumn
on the upper branches

No trail to follow
where the teacher has wandered off —
the end of autumn
~Buson*

*cited:
Haiku Master Buson
Y Sawa & E Shiffert
…The seemingly arbitrary cropping of figures by the picture’s edge, the unexpected shapes created by overlapping forms, the asymmetrical and centrifugal patterning, the juxtaposition of busy and empty masses–these qualities constitute a visual definition of what is meant, in large part, by the phrase ‘photographic seeing’.”
~Looking at Photographs, John Szarkowski

A Toddler’s World View…a Seeing Differently submission
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