While watching
the long rains falling on this world
my heart, too, fades
with the unseen color
of the spring flowers.
~Ono no Komachi (J Hirshfield & M Aratani, The Ink Dark Moon)

While watching
the long rains falling on this world
my heart, too, fades
with the unseen color
of the spring flowers.
~Ono no Komachi (J Hirshfield & M Aratani, The Ink Dark Moon)

Secretly
I would have you know,
With the mists of spring
Among the haze are
My thoughts of you
~Former Emperor Gosuzak (http://www.wakapoetry.net)

Nikon D750 f/11 1/3,200 52mm 800 ISO
For this week’s photo challenge, I am resharing a post that tells the story of the loneliest whale in the world. It is one of my earliest post and still touches my heart today for I believe her story is not unlike so many people today. It is unlikely that her story doesn’t resonate with many of us, young and old.
In 2004, The New York Times wrote an article about how, since 1992, scientists have been tracking a baleen whale named, “The 52 Hertz Whale.” She swims and sings alone in our earth’s vast ocean:
She isn’t like any other baleen whale. Unlike all other whales, she doesn’t have friends. She doesn’t have a family. She doesn’t belong to any tribe, pack or gang. She doesn’t have a lover. She never had one.
Her songs come in groups of two to six calls, lasting for five to six…
View original post 155 more words

Nikon D750 f/32 1/15 65mm 100 ISO

People burn the beanstalk to boil beans,
filtering them to extract juice.
The beanstalks were burnt under the cauldron,
and the beans in the cauldron wailed:
“We were originally grown from the same root;
Why should we hound each other to death with such impatience?
~Cao Zhi
I was introduced to the Quatrain of Seven Steps while watching, The Advisors Alliance, a 2017 Chinese two-part television series based on the life of Sima Yi, a government official and military general who lived in the late Eastern Han dynasty and Three Kingdoms period of China.
The poem itself is written in the traditional ”five-character quatrain” style and is an extended metaphor that describes the relationship of two brothers and the ill-conceived notion of one harming the other over petty squabbling.

Nikon D750 f/36 1/16s 135mm 100 ISO

Nikon D750 f/29 1/8s 85 mm 800 ISO
Left behind
to grow old in this world
without you,
the flowers I pick lose their beauty,
dyed with dark ink.
~Izumi Shikibu (J Hirshfield & M Aratani, The Ink Dark Moon)

painting the moon

This week’s photo study has been inspired by Ted Forbes’ discussion about the use of red within photography. Undertaking a photo walk with an intention to see and photograph “red” is an interesting experience that I invite you to explore.

Nikon D750 f/4.5 1/1.250 s 56 mm 800 ISO
Red is the color at the end of the visible spectrum of light, next to orange and opposite violet. Reds range from the brilliant yellow-tinged scarlet and vermillion to bluish-red crimson, and vary in shade from the pale red pink to the dark red burgundy.

Red is the color of blood and has a historical association with sacrifice, danger, and courage. It is also the color most commonly associated with heat, danger, determination, strength, activity, passion, sexuality, anger, love and joy.

Nikon D750 f.4.5 1/4,000 s 85 mm 800 ISO
When you place the color red within a frame of contrasting colors the brain will always direct the eye to the red object first.

Nikon D750 f/6 1/30 s 300 mm 100 ISO
Because red attracts the human eye it, it also acts as an invisible leading line inviting the viewer into an image.

Nikon D750 f/2.2 1/15 s 28 mm 100 ISO
Red creates a focal point…an anchor, something that isn’t the subject, but supports it

Nikon D750 f/8 1/100 68 mm 100 ISO
Red offers us a point of interest when there isn’t one

Nikon D750 f/8 1/20 300 mm 100 ISO
I hope you enjoy the creative work of photographers who participated in Ted Forbes’ photo assignment on the color red.

We call it distortion and preserve our faith in the validity of our mental image. Often we are right to do so, for the camera records so many unintelligent, insignificant, and circumstantial kinds of truth. Sometimes, however, we can learn from photographs that things were not as we thought they were.
~ Robert Capa

Nikon D750 f/11 1/2,000 48 mm 800 ISO
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