three day quote challenge: 3rd day

The faculty of voluntarily bringing back a wandering attention, over and over again, is the very root of judgment, character, and will. No one is [master of himself] if he have it not. An education which should improve this faculty would be the education par excellence. But it is easier to define this ideal than to give practical instruction for bringing it about.  ~ William James

 

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The rules of this three-day quote challenge are to post a favourite quote every day for three days, and pass on the challenge to three other bloggers. You can do this at any time you like – even next year – and you can also say, “No thanks.”

While I’ve enjoyed being challenged by others, I find it difficult to invite one blogger over another, so if you would like to join in please accept this invitation to share your favorite quotes.  Thank you Amy at The World is a Book for extending an invitation.  It eases all those times in the playground when I was among the last to be chosen to be on a team.  _()_

wpc: temporary

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Nikon D50   f/10   1/50 s   24 mm   100 ISO

Memory bridges our past with the present and awakens us to an awareness that life is created by minute moments that often go unnoticed as our minds are frequently elsewhere.  Photography offers us a means to awaken to these temporary moments and to create priceless keepsakes of our yesterdays.

xdrive photography learning – 14 – post processing

This original raw image was created during the golden hour.  It was my intention during this photo walk to photograph with a 35 mm prime lens and practice being inconspicuous as I photograph people.

Raw image

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Nikon D750   f/7.1   1/160 s   35 mm   400 ISO

The post processing of the above raw image included adjusting the white balance, contrast, sharpening, shadows, and highlights as well as tweaking the exposure warnings, saturation, clarity, and structure.  I also used Nik Effects Dfine to address noise and Vivezaz to lesson the shadow of the two young men.  The horizontal field was slightly adjusted using the building in the background before cropping.  I thought that including the path’s curve would be more likely to allow the image to breathe and to invite an imaged story about the family.

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I have found that adjusting for sharpness, clarity, and structure requires a bit of attention to highlight and shadow adjustments.  When I read Raj’s explanation, “the white balance of a camera is a setting where you tell the camera what actually white color” reminded me about past tutorials that have recommended using the color picker to set the white balance from a grey color or color natural area.  Grey to create white?

The cropped monochrome image (processed within Nik’s Color Efex Pro 4) below is an example of the sharpness of the 35 mm lens.  I found that the closer cropped image invites me to image a story more about the two young boys than the family and reminded how I found myself smiling as I watched them engaging life as the sun settled in the west.

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Thank you Raj for this amazing opportunity to explore and expand my understanding of photography.

autumn with basho

Will you turn toward me?

I am lonely too,

this autumn evening.

~Basho (F. Bowers, The Classic Traditions of Haiku)

autumn

I felt compelled to update this earlier post to invite you to visit LdG luciledegodoy  who earlier noted my image inspired her to post a photograph she created a few days ago. I invite you to hop on over to visit her post and while there listen to Eva Cassidy’s wondrous voice and the story of her life.

an object of perception

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The spring sunlight, flowers blooming, and green trees create a landscape that looks like embroidery. This is an object of perception and it’s a beautiful thing to focus on. …if we don’t consider the role of our mind, and just focus on what we see as the independent reality around us, there will be contradictions.

The Vietnamese poet Nguyen Du said, ‘When a person is sad, the scenery is never happy.’ How we are feeling determines how we see the world. Why are some people able to experience happiness when they look at the moon and see its beauty, while others see the same moon as sad or depressing? This question can’t be answered unless both the subject [person] and object [moon] are taken into account.

~Thich Nhat Hanh, Zen Battles

 

autumn’s twilight

Going through the gate

I also am a wander

this twilight in autumn

~Buson (Y Sawa & E Shiffert, Haiku Master Buson)
sunburtstIt began that first Halloween in Des Moines, Iowa, when I found myself wondering if the ghost, goblins, and witches that appeared at my door were also messaging the onset of seasonal changes.  It was that year as my daughter’s Halloween costume was atop layers of clothing and hidden by a winter coat, I first noticed–and then again during later years in Wyoming and Colorado–that Halloween is often accompanied by a significant drop in temperature that generally lasted well into spring.

Today, the November 1, 2017 edition of Aljazeera reported that while Halloween is not recognized outside the western world “the date is climatologically significant in that it ends the three-month climatological autumn. Figures will now be confirmed and compared, by climatological statisticians, with autumn seasons from previous years.”

Additionally, at the end of October:

The Indian monsoon withdraws to the tip of India and Sri Lanka and the second cyclone season begins in the Arabian Sea and the Bay of Bengal. The Australian cyclone season officially begins.

Both Australia and South Africa have seen particularly stormy spring seasons and are settling now into summer.

China has entered its winter season with the northeast monsoon now prevalent. In the United States, the last few days of October brought some proper snow to the northern states.

Northern Europe has been battered by a windstorm followed by a big drop in temperature. The system responsible is still covering Belarus in snow. Western Europe, and in particular Iberia, is yet to realise the change of season.

Sometimes one’s private musings do have a bit of merit.

Inconspicuously

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Lumix GX85  f/7.1   1/320 s   32 mm   ISO 200

A valuable resource for those who have an interest in expanding their understanding of street photography can be found at the  Streets of Nuremberg.  His intention is to to give back to those who have given him so much by offering  a “one stop resource pool” where photographers can find free tips, tutorials, inspirations and everything else.

The above image was created (with a bit of awkward anxiety) using Streets of Nuremberg’s Photography Quick Tip 1 for photographing inconspicuously; that is,

Line up in the general direction of your subject, raise the camera and shoot something behind or above him/her. Absolutely avoid eye contact, best look through the viewfinder of your camera. Bring the camera down, pretending to check the image you just took on the LCD back screen of your camera, your finger still on the shutter, still avoiding any eye contact with your subject. Instead of checking the image you just have taken above or behind your subject, compose your shot with your subject through the LCD back screen of our camera and shoot the “real” picture.  Do not (!) check the photograph you’ve just taken, instead raise the camera again and “redo” the first shot behind or above the subject. Repeat as needed. And  don’t blush 😉