
nature
raindrops
the bright moon in raindrops
from the eaves…
the geese depart
~Issa (www.haikuguy.com)

Nikon D750 f/4.5 1/1.280 85mm 800 ISO
rain catchers

Nikon D750 f/4.5 1/2,500s 85mm 100 ISO
a photo study: rule of thirds

Photography is an art form and as such need not rely on rules. Yet, it is important for the photographer to keep in mind that the composition rules help create balanced, dynamic, and interesting images that invite a viewer to stay and visit in comfort.
The Rule of Thirds
The rule of thirds is the element of composition that begins with dividing an image into thirds, horizontally and vertically, creating nine imagined sections.

The theory is that if you place your subject in the intersections or along the lines, your image becomes more balanced and will enable the viewer to interact with the story more naturally.
With the rule of thirds in mind, it is recommended that the photographer should compose a photographer by asking,
“what are the points of interest in this shot?”
“where am I intentionally placing them?”

Studies show that the human eye naturally is drawn more to one of the four intersection points than the the center of the image. Yet, sometimes a photographer finds that placing the subject right in the middle of the frame makes for a more interesting composition.
Centering

“Breaking” the rule of thirds opens the door to symmetry, creating balance on both sides of the image as well as the top and bottom.
We find beauty in natural symmetry. A butterfly, for example, has perfect symmetry when it opens its wings. Snowflakes, flowers and seashells also gift us with the beauty of balance.

Depth of field
Scenes that feature a shallow depth of field may also not require rule of thirds placement. That’s because a shallow depth of field creates dimension in a photograph, and our eyes are drawn into images that have dimension. You will look into a shallow background even when you can’t identify what’s there, because your eye automatically wants to move through a scene that seems to have depth and dimension.

Love to hear your thoughts about rule of thirds and see how you use this basic composition tool in your creative endeavors.
I hope you enjoy Saurav Sinha’s discussion about composition.
unfolding

Nikon D750 f/4.5 1/125 50mm 100 ISO
wpc: prolific
will you remember…
Clear waters unchanged
in a meadow
I saw once long ago,
will you remember
this face of mine?
~Saigyo (B Watson, Poems of a Mountain Home)

Nikon D750 f/4.5 1/3,200 85mm 800 ISO
we never just ‘see’…

Spring Creek…Nikon D750 f/4.5 1/2,000 85mm 100 ISO
“…we never just ‘see’ something in the sense that a photographic plate receives rays of light. In the real world we bring a lot of our selves to the party. And that means gaze alters what it finds.”
cited: Iain McGilchrist, The Master and his Emissary
a sundowner

Nikon D750 f/4.5 1/3,200 48mm 100 ISO
“About twelve years ago, I met a homeless woman who identified herself as a sundowner. She described how each evening’s sun invited her to settle down along the side of her life’s path so that her journey could begin afresh in the morning sun. She eloquently described an undercurrent of yearning that ebbed and flowed throughout her soul and how, in her past days, she found herself at the mercy of private memories, thoughts, and imaginations and had encountered, time and time again, various degree of discontent despite the seemingly fulfilling qualities of her life.
As I hear the suffering within women who story their lives through the multi-colored threads of substance use, I find myself acknowledging a similarity within each of these unique stories with my own metaphysical search for someone, something, or some place that remains beyond the forever next horizon. Each of our unique narratives reveal an unending wandering with satchels of discontent that tell of a spiritual emptiness and an emotional intimacy with a homesickness for a place one knows cannot be.”
~B Catherine Koeford (A Meditative Journey with Saldage)
thursday’s special: zoom in, zoom out


Last Sunday while searching for possible summer camping sites, we found a bit of landscape art…a sculptured hawk perched upon a rock.
Submitted in response to Lost in Translation’s photo challenge: zoom in, zoom out
beginning anew

Although we think the past is gone and the future is not yet here, if we look deeply we see that reality is more than that. The past exists in the guise of the present because the present is made from the past. In this teaching, if we establish ourselves firmly in the present and touch the present moment deeply, we also touch the past and have the power to repair it. That is a wonderful teaching and practice. We don’t have to bear our wound forever. We are all unmindful at times; we have made mistakes in the past. It does not mean that we have to always carry that guilt without transforming it. Touch the present deeply and you touch the past. Take care of the present and you can repair the past. The practice of beginning anew is a practice of the mind. Once you realize what mistake you made in the past, you are determined never to do it again. Then the wound is healed. It is a wonderful practice.
~Thich Nhat Hanh & Melvin McLeod (The Pocket Thich Nhat Hanh)
sending messages

Nikon D750 f/3.5 1/1.250s 40mm 100 ISO
Your Highness,
It is said that an education is a 1000-year worth thing. But a learning institute responsible for that education has forgotten its role already and children are becoming tired each day with the violence and irrationalities inside.
Your Highness, please settle this educational environment that has taken a wrong path and restrengthen the foundation of the nation.
~Jeong Yak Yong, “Korean Mystery Detective”

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