early morning readings

contemplative photography 5
Sony RX100 III  f/4  1/80s  23.9m  250 ISO

“This LeWitt drawing [All Two-Part Combinations of Arcs from Corners and Sides, Wall, Drawing #842, white crayons, black pencil, grid, 14×18 ft.], white lines on a large black field, created a strong presence in the gallery. That presence was beautifully offset by the simplicity of the system it described. Until that show, I believed that conceptual art was about the idea-the concept–and thus that the drawing on the wall was only there to display the idea. I believed this until one day during the show, when I found myself alone in the gallery in front of the wall and my vision was filled with black paint and the pebbly, waxy marks of the white crayon. At that moment the piece seemed to open a door in my mind. Rather than the concept being processed like art in my brain, I felt a sense of integration–my eyes and body were involved, a union between the concept and the materials, neither standing alone. My view transitioned from an analytical appreciation of a system called ‘art’ into an utter, complete presence with an artwork…” ~J F Simon, Jr., Drawing Your Own Path

“Observe the changes that take place in your mind under the light of awareness. Even your breathing has changed and become ‘not-two’ (I don’t want to say ‘one’) with your observing self. This is also true of your thoughts and feelings, which, together with their effects, are suddenly transformed. When you do not try to judge or suppress them, they become intertwined with the observing mind.” ~Thich Nhat Hanh, The Sun My Heart

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