Riverbend ponds natural area II

Riverbend Pond… Nikon D750 f/4.5 1/125s 85mm 100 ISO

Wabi-sabi is a beauty of things imperfect, impermanent, and incomplete. It is a beauty of things modest and humble. It is a beauty of things unconventional…

Koren, Leonard, Wabi-Sabi for artists, designers, poets, & philosophers. Stone Bridge Press, Berkeley, CA

attachment to memory

orchids… Sony RX100-3 f/2.8 1/640s 14.9mm 800 ISO

“…to remain alive is to be subject to the grinding force of memory. Day and night the millstone turns, shaping the soul and softening the heart. To some, this going around and around the same subject may seem like emotional paralysis. But there is also something freeing about this attachment to remembrance. One day, one hour, one child, keep cutting through to the present. All other days take shape around this circle of emptiness.” ~V Schwarcz (Bridge Across Broken Time)

Xiangchou (Nostalgia)

Orchid… Sony RX100-3 f/2.8 1/640 25.7 800 ISO

I was a child,
Nostalgia seemed a small stamp:
I was here…
My mother was there.

When I grew up
Nostalgia became a ticket:
I was here…
My bride was there.

Years later,
Nostalgia was a little tomb:
I was outside…
My mother was inside.

And now,
My nostalgia is a shallow strait:
I am at here…
The mainland is there.

~ Yu Guang Zhong

“The Chinese expression for “nostalgia” is xiangchou, literally “village sadness.” …xiangchou describes the grief that accompanies the traveler who cannot find a way back to the home village…[it] is not a geographical predicament but a spiritual state of being. First he finds himself outside the mother as a tiny emblem of apartness, then he is the man who contemplates her tomb. The shallow waters of the Taiwan straits are, similarly, not only a spatial divide between the island and the mainland but a reminder of the longing for, and the impossibility of going back to, ancestral roots.” *

*cited: V Schwarcz (Bridge Across Broken Time)

rememberers

To be human was to be a sentient being who remembers.*

“The third-century classic Jinshu summarized the paradox of memory: ‘Qing you yi sheng, bu yi ze wu qing.’ No words in English can capture the condensed reservations expressed in nine simple characters. The first four summarize ancient psychology: emotion is born out of remembrance. The next five advise the wise to stem this process of arousal altogether: where there is no remembrance, emotion will dissolve as well. The point, simply put, is that distress causes memory. To be sure, it is human to have feelings, but this can be curbed by a willful quieting of the emotional upheaval caused by remembrance.

“Simcha, the Hebrew word for ‘joy,’ has as its root macha, meaning ‘to remove’ or ‘wipe away.’ To be joyful, in this sense, is to be free of the tearful weight of the past.

“In the end, however, neither Chinese or Jewish rememberers settled for the peace of a memoryless world.

“The opposite of quietude can be found in the story of Lot’s wife… Here, a woman who refuses to walk away from history is turned into salt–a concrete symbol of endless weeping. Lot’s wife captures the need to remain connected to the past and dares to stand still when the known world is about to crumble. Although some might argue that Lot’s wife looked back with nostalgic regret for past pleasures, Anna Akhmatova, in the poem, ‘Lot’s Wife,’ suggest she did so out of her refusal to become deaf to the grief embedded in the past.”*

*Vera Schwarcz, Bridge Across Broken Time

passing by…

Nikon D750 f/3.2 1/4000s 40 mm

“There was no such thing as the right time, he explained. Time was an idea, it had no end and no beginning, it could not be seen or heard or smelled. It could be measured, sure enough, but no words had been found to explain precisely what it was.”

~K Morton, The Clockmaker’s Daughter, p. 66