a photo study of rhythm created with bricks…

Nikon D750 f/7.1 1/100s 28mm 100 ISO

Nikon D750 f/4 1/320s 28mm 100 ISO

Nikon D750 f/4 1/320s 28mm 100 ISO

Nikon D750 f/4 1/320s 28mm 100 ISO
hop on over to Ben’s photo challenge: Out of This World
a photo study of rhythm created with bricks…

Nikon D750 f/7.1 1/100s 28mm 100 ISO

Nikon D750 f/4 1/320s 28mm 100 ISO

Nikon D750 f/4 1/320s 28mm 100 ISO

Nikon D750 f/4 1/320s 28mm 100 ISO
hop on over to Ben’s photo challenge: Out of This World
Should I leave this burning house
of ceaseless thoughts
and taste the pure rain’s
single truth
falling upon my skin?
Izumi Shikibu (J Hirshfield & M Aratani, The Ink Dark Moon)

rhythm… Nikon D750 f3/2 1/320 40mm 100 ISO
On a troubled current
we grow old in this world–
today’s rain-filled stream
will only increase
with tears.
~Izumi Shikibu (J Hirshfield & M Aratani, The Ink Dark Moon)

rule of thirds…rhythm…symmetry Sony NEX-5N f/8 1/200s 96mm

Nikon D750 f/8 1.160s 85mm 100 ISO
A visual study of elements of composition through the use of amazing images by Steve McCurry. Hope you enjoy.

Nikon D750 f/4.8 1/10s 68m 100 ISO
Rhythm, a vital element within music, dance, and poetry, is also important in photography. Ted Forbes writes that visual pulses are within all visual compositions.

Repetition is easy to find…all around us are shapes that are pretty basic and similar to each other. We will see them repeating at regular intervals within nature, design, works of art, architecture, and photography.

Standard rhythm involves the same or similar elements repeating at regular intervals — think of equally spaced light posts extending from left to right across the frame, the slats of a crib, or a series of windows on the side of a city apartment building. These patterns can be thought of as a subset of rhythm in that patterns always have rhythm, but rhythm doesn’t always have patterns.

Rhythm affects the quality of our viewing experience and helps draw and keep the observer’s eye within the frame. Visual rhythm is often most powerfully used as a vehicle for or backdrop to your central story or primary subject.

After a week of studying rhythm, I’m finding a need to stay with this topic as the extension of rhythm within sound and physical sensations to a visual format is like…hmm…sitting in an introduction to physics class. Well, maybe not exactly like a physics class…maybe more like an introduction to “imaginary numbers.”

In the meanwhile, I’ve concluded this week’s photo study blog with a Ted Forbes’ video rhythm in visual composition. I would enjoy hearing your thoughts and understanding about rhythm as well as seeing some of your creative use of repeating patterns.

Sony NEX-5N f/6.3 1/500s 210mm
the rhetoric that fills the air…
http://player.theplatform.com/p/7wvmTC/MSNBCEmbeddedOffSite?guid=n_maddow_bhockley_180221
Within xdrive photography’s bokeh lesson, Raj notes that the unique blur within photographs known as bokeh is a composition tool that allows a photographer to guide a viewer’s eye as well as to keep distracting elements hidden.

Nikon D750 f/3.2 1/320s 40mm ISO100

Nikon D750 f/5.6 1/320s 230mm ISO 100

Nikon D750 f/5.6 1/200 210mm ISO 100
Over to you Raj. Thank you for this informative lesson and your amazing images.
The human body speaks…very loudly through its postures and movements. More and more I’m finding that photographers who create street images from perspectives other than direct portraiture opens me to ponder individual humans stories that speak through the body’s emotional expressions which often are distracted from by a smile, an eye glimmer, a hair cut, a style of dress, etc.
images submitted in response to Erica’s photo challenge: A Face in the Crowd

Sony NEX-5N f/6.3 1/400 186m

Singular Richo GX100 f/2.5 1/800s 5/1m
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