
photography
on the fence
plum blossom scent–
the voices of children
sound reverent
~Issa (www.haikuguy.com)

xdrive photography lesson – 11 – lenses
Over the past couple of months I’ve found that postings of bloggers I follow are not always coming up in my WordPress Reader. One of those missed postings is Raj’s photo lesson on lenses. In that xdrive photo lesson Raj invited us to “really access the capabilities of your camera and find out what exactly is your stumbling block, is it a camera or a lens?”
So with this lesson in mind along with the recent discussions about photographing in raw, I set out on three separate nature walks with a different lens on each occasion.
On the first day of this assignment I used a Nikon 28-300mm f/3.5-5.6G ED VR lens with a Tiffen 0.6 neutral density lens.
This first image is a representation of the raw image. I see this image as a bit underexposed.

Nikon D750 f/9 1/40s 55mm ISO 100
This second image was created with Raj’s discussion regarding the consideration of sharpening and color saturation within the initial editing of raw images in mind.

Nikon D750 f/9 1/40s 55mm ISO 100
While I love bokeh – the way the lens renders out-of-focus points of light – I experimented with opening up the f-stop to explore Raj’s recommendation that an “open aperture would have created better isolation of leaves.”

Nikon D750 f/4.5 1/100s 55mm ISO100
During the second day of this assignment I used a Nikon AF-S DX 35mm f/1.8G lens with a Platinum natural density lens.
The first image is a raw representation prior to any editing. This image seems a bit muted.

Nikon D750 f/1.8 1/1000s 35mm ISO 100
This second image was again edited with the intentional inclusion of sharpening and color saturation. As Raj noted an open aperture does allow for a greater isolation of the leaves. The f/1.8 setting also seems to offer a softness to the image as well as gentle depth of field.

Nikon D750 f/1.8 1/1000s 35mm ISO 100
In my limited experience and knowledge I find that a prime lens invites me to zoom in using my legs which is okay when photographing leaves…but not so much during street photography.

Nikon D750 f/7.1 1/60s 35mm ISO 100
On the third day, I set out with a Nikon AF-S 24-85mm f/3.5-4.5 G ED VR lens.
A raw representation prior to editing. Again, muted.

Nikon D750 f/4.2 1/125s 56mm ISO 100
In the edited f/4.2 image the shadows on the leaves are brought out; yet, I find the background a bit distracting. Sharpening and color saturation was also intentionally included in the editing process.

Nikon D750 f/4.2 1/125s 56mm ISO 100
In the f/7.1 image below the detail and sharpness of the leaves seems to offer a greater isolation of the leaves and isn’t as distracting as in the f/4.2 image. Also, it is interesting to note that both images have a bit of bokeh.

Nikon D750 f/7.1 1/80s 56mm ISO 100
Over to you Raj…I am finding great value in your lessons and feedback. Thank you for expanding my understanding of this never-ending learning experience.
silent sunday

Nikon D750 f/10 1/50s 24mm !SO 100
pondering

Lumix f/5.6 1/320s 32 mm ISO 200
autumn with Soin
Beckoning me?
Surely not –
pampas grass
~Nishiyama Soin (S Carter, Haiku before Haiku)

Nikon D750 f/5.6 1/160s 45 mm 100 ISO
thursday’s special: fall

Nikon D750 f/7.1 1/1000s 300 mm 100 ISO
jump on over to Paula’s to participate in this week’s challenge: fall
wpc: glow

Nikon D750 f/7.1 1/800 s 35 mm 400 ISO
jump on over to Jen’s to participate in this week’s photo challenge, glow
black & white sunday: shape

Nikon D750 f/7.1 1/80s 50 mm ISO 400
jump on over to Paula’s to join this photo challenge.
Instant Inspiration: backlit
Marcus at Streets of Nuremberg’s discussion about backlighting photography inspired me to pick up my camera and walk along a bike path during the golden hour. He noted that when one photographs into the sun there will be a great glow around the hair and body.

Nikon D750 f/7.1 1/320s 35 mm 400 ISO

Nikon D750 f/7.1 1/500s 35 mm 400 ISO
In the first image, there is a bit of glow on the cyclist’s hair and in the trees. In the second, the glow outlines both the young man and his dog. The setting sun in both of these images brought out some interesting long shadows.
It is wonderful to follow bloggers such as Marcus who share their skill and knowledge of photography and invite photographers such as I to grow and learn. Thank you!
autumn with Issa
Before this autumn wind
even the shadows of mountains
shudder and tremble.
~Issa (S. Hamill, The Sound of Water)

Nikon D750 f/7.1 35mm 1/320s 400ISO
XDrive Photo Lesson – 12 – Shooting in Raw
For this xdrive photo lesson Raj introduces the reader to raw photography as well as explores the advantages and disadvantages of setting the camera to raw.
Some of the disadvantages of using raw are:
- size of files and required storage space
- requires editing
- sluggish burst mode
- software required to process files and convert to jpg
- sharing images while traveling
On the positive side, raw images allow the photographer to:
- recover areas in the image that may be over or under exposed.
- easily adjust white balance.
- make use of high-end image editing software
- ensure that original raw images are not destroyed during the editing process.
Nikon D750 f/7.1 1/400s 35 mm ISO 400

sample of raw image

raw adjusted image

edited image in Nik’s Color Effects
The second set of images were created using:
Nikon D750 f/6.3 1/6s 40 mm ISO 400

sample of raw image

raw adjusted image

3 raw images edited using Nik’s HDR software
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