
Fujifilm X T4 … f4. 1/800s. 28mm. 1250 ISO

Fujifilm X T4 … f4. 1/800s. 28mm. 1250 ISO
Raj (XDrive ) writes that high speed photography allows the photographer to freeze motion as it permits “only a fraction of a second for the sensor to ‘see’ the scene” and the sensor “is going to record things at standstill even though they are moving.”
I set out yesterday with my camera set on autofocus with continuous focusing and the ISO at 800. After coming home and doing a bit of deleting, I still have heaps of images…412. Regrettably, most of them will be tossed into the trash because I assumed that setting my camera on manual and using the highest f-stop that the shutter speed would automatically record at 1/4000 to 1/8000 seconds.
Why did I chose manual…well, before leaving home I initally set my camera on shutter speed priory mode and saw that the camera seemed to prefer lower f-stops. So, my first mistake came with the assumption that there is a correlation between high f-stops and shutter speeds. I also failed to set the camera on center focus and was not able to correct this decision as I left my glasses at home…sigh. Also, I did not pay attention to the shutter speed throughout the walk…and as you can see in the image below there are no frozen water drops…just a bit of blur, bubbles, and tiny pellets as well as a rock (lower right) in focus.

Nikon D750 f/22 1/250s 85mm ISO 800
The rain and snow last night left a bit of ice under a layer of snow…so will have to delay my return to the creek, when it is a bit warmer, to create motion frozen water drops with more attentive intention.
Yet, not all was lost…

Nikon D750 f/22 1/640s 85mm ISO 800

Nikon D750 f/16 1/1000s 85mm ISO 800

Nikon D750 f/16 1/500s 85mm ISO 800

Nikon D750 f/22 1/500s 80mm ISO 800
Thank you Raj…I appreciate these lessons and your feedback.
The wild geese yet
Are content to stay —
And must you return
~Otomo Oemaru (1719-1805)
cited: F Bowers, The Classic Tradition of Haiku

Nikon D750 f/6.3 1/200 s 90 mm ISO 100

The poetry of Japan has its seeds in the human heart and mind and grows into the myriad leaves of words. Because people experience many different phenomena in this world, they express that which they think and feel in their hearts in terms of all that they see and hear. A nightingale singing among the blossoms, the voice of a pond-dwelling frog–listening to these, what living being would not respond with his own poem? It is poetry which effortlessly moves the heavens and earth, awakens the world of invisible spirits to deep feeling, softens the relationship between men and women, and consoles the hearts of fierce warriors.
~Ki no Tsurayuki, (preface Kosinsbū, ca. 905)
this summer breeze
a gentle guide for the one
coming to visit
In a mountain village
when I’m lost in the dark
of the mind’s dreaming
the sound of the wind
blows me to brightness.
~Saigyo (Trans: B Watson, Poems of a Mountain Home)

The colors of the flowers fade
as the long rains fall,
as lost in thought,
I grow older
~Ono No Komachi (K Rexroth & I Atsumi, The Burning Heart)

spring rain-
all things on earth
becoming beautiful
~Chiyojo (M Ueda, Far Beyond the Field)

spring rain…finally
what do you understand?
an image –
the voice of aging

“Nothing can exist by itself alone. It has to depend on every other thing. That is called inter-being. … Looking deeply into a flower, we see that the flower is made of non-flower elements. We can describe the flower as being full of everything. There is nothing that is not present in the flower. We see sunshine, we see the rain, we see clouds, we see the earth, and we also see time and space in the flower. A flower, like everything else, is made entirely of non-flower elements. The whole cosmos has come together in order to help the flower manifest itself. The flower is full of everything except one thing: a separate self, a separate identity.” (Thich Nhat Hanh, No Death, No Fear, pp 47-48)
Chasing a butterfly
Deep into the spring woods
I am lost ~Sugita Hisajo (M Ueda, Far Beyond the Field)


Submitted in response to a Lost in Translation challenge

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