
monochrome photography
seeing differently: 1st of 15
“Thinking back then…we were just at that age when we knew a few things about ourselves – about who we were, how we were different from… – but hadn’t yet understood what any of it meant…by the time a moment like that comes along, there’s a part of you thats been waiting…there’s a whisper going at the back of your head… So you’re waiting, even if you don’t quite know it, waiting for the moment when you realize that you really are different…”
~Never Let Me Go, Kazud Ishiguro

While walking through an area in Fort Collins, Colorado known as “Old Town.” I was guided with an intention to be open to whatever offered an unique perspective. It is my thought that this reflective image of a building’s entrance fits Robyn’s ‘See Differently’ challenge.
thursday’s special: pick a word
Together with my Roget’s International Thesaurus, I selected these following images for September’s “pick a word” challenge…
can a journal be populated with words? can words inhabit a journal?

nature, by her very nature is time sensitive

words and letters are often very companionable

love these burgeoning plants that grow alongside a local trail

clandestine…walking through an alleyway wondering what is hidden behind those locked gates

Hopefully I will be forgiven for only including one color image for this Lost in Translation’s photo challenge.
engaged…but with whom?

mall fishing
Street Photography Assignment: Fishing…identifying an interesting background (traffic signs, billboards, leading lines) and create a juxtaposition with a subject who walks into the frame.
The image with the child running as if the mannequin is pointing in the direction he should go is my favorite of the four. What are your thoughts about “mall fishing”?
jubilant

mono…macro

an empty chair

art alley

Lumix GX8 f/6.3 1/250 200 ISO
Cee’s fun foto challenge: hands

Nikon D750 f/32 0.625s 60 mm ISO 100
the observers

Listening’ to Noontime Tunes

Watching’ children at play
100 days…100th day
…the scent of mothballs signals the opening of a small steamboat trunk entrusted with long-forgotten memorabilia. Carefully placed upon a layer of women’s 1930 era clothing are three stacks of yellow ribbon-tied envelopes. Within each are hand-written letters reminiscent of second grade penmanship inquiring, “Dear Mother, how are you? Fine I hope.”
On the left side is a stationery box filled with certificates of marriage, birth, baptism, and death intermingled with a child’s brilliantly colored drawings.
Beneath the box is a small silk sachet holding a solitary diamond engagement ring and an ivory locket. At the bottom of the trunk, children’s books and wooden blocks with carved letters surround a miniature wooden rocking chair and a one-button eyed velvety-patched teddy bear. I become distracted from the remaining contents as black and white photograph images softly held within the folds of a woman’s garnet silk dress glide in the air and scatter on the floor.
The photographic images are a visual memoir of a young family where trust once allowed two young sisters to roam free throughout a field of tall, yellowed grass. “How many
days,” my questioning mind wonders, “how many days were left before the decline of my father’s health shifted the lights of a colorful present into the gray-shaded time of waiting?” Within this stillness of waiting, memory tells of a young child seeking solace through repetitive rocking behaviors and of a father’s fragile heart enduring a turbulent wait for a donated aorta.
I hear compassion speak to my heart and I begin to feel how my father intuitively knew of my inner turmoil and of the tranquil stillness within rhythmic repetition. His gift of a rocking chair tells me some fifty years after his death of the multiple emotional and physical sufferings within his suffering, the interconnectedness of the suffering within the family, and of his wish to ease our suffering.
As the fabric of the dress glides between my fingertips, the shadow of grief that holds the memories of my son emerges from a compartment hidden within the trunk. An old fear
awakens as the image of grief’s blackened shadow looms over me with its death-filled abyss of intermingled condemnation, uncertainty, and emptiness. I feel the void that will consume me if I were to release the eternal care of my son to its embrace. I come to know that I hold no trust that within death is compassionate loving-kindness. Awareness arises to tell me that as I run from grief with the anguish of powerlessness to protect the heart of my soul, like an addict running from her addiction, grief becomes even more insidious. In this undifferentiated chaos of anguish, fear, and mistrust there is hope [larger than a mustard seed] which seeks for the magical garment when donned will transform me into the Great Mother. It is childhood faith that clings to the belief that as God witnesses this transformation, absolution and reconciliation would simultaneously subdue this impenetrable monster and return my son, whole with the spirit of life, to…*
*cited:
A Mediative Journey with Saldage
B Catherine Koeford
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