
reflections… Nikon D750 f/4.5 1/250 45mm 800 ISO

reflections… Nikon D750 f/4.5 1/250 45mm 800 ISO
Photography is representational by nature in that the subject(s) within most images depict the real world and usually are easily recognizable; for example, a photograph of tree generally looks very much like a tree.

Ted Forbes notes that abstract photography within the art world is drawn from skills that are different from other forms of art and, “It is something that we are not used to seeing in every day life…When it is done well, it stands out and it’s really exciting. When it is not done well, it is weird.”

Fundamentally, abstract art is a visual form that does not convey a realistic depiction of the world. This departure from reality can be partial or complete; therefore, we are often uncertain about the identification of the subject. Photographs within this genre diverge from a realist depiction of the world through the use of form, color, and lines.

Form is the shape of the elements within the image and is the foundation of an abstract image. When creating abstract photography, ask yourself, “is there an interesting form/shape with this image?”

The variations and contrast of colors within art create interesting images and evoke feelings within the viewer.

Lines within the image directs the viewer’s eye and creates a dynamic image by emphasizing movement.

There are different techniques photographers use to create abstract image: 1) selective focus, 2) light and shadow, 3) lines and textures, 4) blur, 5) zooming, 6) moving the camera or subject, 7) double exposure, and 8) moving in close or standing far away.

I’ve come to understand abstract/non-representational imagery as an absence of the type of discrimination and labeling process that seeks an answer to, “what is that?” to one that invites the viewer to explore, “what feelings does this image evoke?”

Thank you for taking the time to visit my blog and for the exchange of ideas and photographs. I am inspired by the process of viewing and exchanging ideas with other bloggers and am excited about walking through your galleries of abstract/nonrepresentational photographs. I hope you find Ted Forbes’ video interesting.
Clear waters unchanged
in a meadow
I saw once long ago
will you remember
this face of mine?
~Saigyō (B Watson, Poems of a Mountain Home)

Don’t dye it, don’t pull it out,
let it grow all over your head.
No medicine can stop the whiteness,
the blackness won’t last out the fall.
Lay your head on a quiet pillow, hear the cicadas,
idly incline it to watch the waters flow.
The reason we can’t rise to this broader view of life
is because, white hair, you grieve us so!
~Ch’i-chi (864-937) Translation: Burton Watson

Nikon D750 f/7.1 1/320 44mm 100 ISO (neutral density lens)
moss blossoms bloom
in a little crack…
stone Jizo
~Issa (www.haikuguy.com)

Nikon D750 f/1.8 1/800 35mm 100 ISO

Horsetooth Reservoir Nikon D750 f/13 1/100 35mm 100 ISO

Spring Creek Nikon D750 f/2 1/40s 35mm 100 ISO
The foundation of all mindfulness practice is awareness of the breath. There is no mindfulness without awareness of our in-breath and out-breath. Mindful breathing unites the body and mind and helps us to become aware of what is going on inside us and around us. In our daily life, we often forget that mind and body are connected. Our bodies are here but our minds are not. Sometimes we lose ourselves in a book, a film, the internet or an electronic game, and we’re carried off, far away from our body and the reality of where we are. Then, when we lift our head out of the book or look up from the screen, we may be confronted with feelings of anxiety, guilt, fear, or irritation. We rarely go back to our inner peace, to our inner island of calm and clarity, to be in touch with Mother Earth.
We can get so caught up in our plans, fears, agitations, and dreams that we aren’t living in our bodies anymore and we’re not in touch with our real mother, the Earth, either. We can’t see the miraculous beauty and magnificence that our planet offers to us. We are living more and more in the world of our minds and becoming increasingly alienated from the physical world. Returning to our breathing brings body and mind back together and reminds us of the miracle of the present moment. Our planet is rich here, powerful, generous, and supportive at every moment. Once we recognize these qualities in the Earth, we can take refuge in her in our difficult moments, making it easier for us to embrace our fear and suffering and to transform it.
Awareness of the in-breath and out-breath first of all calms us down. By paying attention to your breathing, without judgment, you bring peace back to your body, and release the pain and tension. …
When our minds and bodies have calmed down, we begin to see more clearly. When we see more clearly, we feel more connected to ourselves and to the Earth and we have more understanding. When there is clarity and understanding, love can bloom because true love is based on understanding.
…Each breath contains nitrogen, oxygen, and water vapor as well as other trace elements, so each breath that we inhale contains the Earth. With each breath, we’re reminded that we are part of this beautiful life-giving planet.
~Thich Nhát Hahn, (Love Letter to the Earth)

winter sleep Nikon D750 f/13 13.1s 28mm 100 ISO
On a mountain slope,
Solitary, uncompanioned,
Stands a cherry tree.
Except for you, lonely friend,
To others I am unknown
~Abbot Gyoson

I’ll forget the trail
I marked out on Mount Yoshino
last year,
go searching for blossoms
in directions I’ve never been before
~Saigyō (B Watson, Poems of a Mountain Home)


Nikon D750 f/3.3 1/1.250 40 mm 100 ISO

241 seconds into one moment.…Nikon D750 f/8 241s 24mm 100 ISO
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