weekly photo challenge: serene

looking delicious

the snow falling softly

softly

~Issa (www.haikuguy.com)

sereneweb

Nikon D750   f/5.6    1/200s    300 mm    100 ISO

those snow days…blanketing the earth and gifting us with silence, before snow shovels and snow removal trucks, serene

Let’s spend a few minutes listening to…The Sound of Silence, Simon and Garfunkel.

No matter how much things change, they still remain the same.

flipped through

The pictures produced [in the 1950’s] were especially useful to the magazines, which were meant to be flipped through rather than lived with, and in which a picture’s first impact was seen as more important than its staying power.

Cited: J Szarkowski, Looking at Photographs, p. 180

shadowsweb

Nikon D750   f/8   1/160 s   300 mm   100 ISO

 

Photography Lesson 14 — Revisited

orignial raw image

Raj’s xdrive photography lesson lesson for November explored 10 edits that photographers should know about prior to publishing images.   My initial submission was of a family walking on a bike path during the golden hour.

nov-photo-lesson-1

Nikon D750   f/7.1   1/160 s   35 mm   400 ISO

Taking a few minutes to review this image in response to Raj’s feedback, I found that it is a bit of a challenge for me to notice the tilting due to 1) the curvature of the pathway as it moves my eyes to the background and 2) the presence of the trees hinders a clear view of the horizon.

In the markup below, my initial horizontal adjustment was the rooftop of the building in the background.  Raj noted in his feedback, “we can’t rely on anything man-made as it all depends on the orientation of these things.”   The areas I have circled were noted as over and underexposed by Capture One’s high exposure warning.

nov-photo-lesson-1redo2

raw image with markup

adjusted image

nov-photo-lesson-2redo

first edited image with markup

Raj noted that the image stilled seemed a bit tilted in the image above.  He also noted that the edited image is “kind of overexposed” and recommended that I “carefully check woman’s jacket, it looks kind of overexposed.”  Also my editing seemed need a bit more saturation.

The image below was cropped with Raj’s recommendation in mind and I find it to be more focused upon the family dynamics.   It also brings attention to Raj’s observation regarding the closeness of mother and daughter in comparison to the actions of the two boys.   I also did not attempt to lighten the shadow element of the boys as I wanted the image to be about the family.

While the image below seems to address the overexposure Raj noted in the above image, I’m still struggling with this as the histogram (within both Capture One and Photoshop) as well as the Capture One exposure warning does not indicate an overexposure.  So do I rely too much on technological guidelines over my vision?

It took me several tries to address the titling…sigh…

In regards to saturation, could the specifications of computer design as well as color calibration variances result in visual differences between what I see–or think I see–on my computer and what other bloggers see?  If so, is there a way to address this?   Also, I found that I needed to be very careful in regards to saturation as the image tended towards having a yellowish sheen.

All in all I the second edit does seem to be better.

nov-photo-lesson-3-5

second edit

monochrome images

nov-photo-lesson-3aredo

first monochrome image with markup

When I compare the above initial monochrome image with the one below, I’m able to more easily see areas that may be a bit overexposed.  The woman’s jacket has a burned appearance.  The detail in the woman’s jacket below offers a bit of resolution to my question above regarding overexposure…it’s about the detail in the woman’s jacket and the girl’s top.

Since the young boy looking towards the camera suggests a message of interaction, I find that I prefer the lightening in the above image when compared to the one below.

nov-photo-lesson-3-6

second edit

Again, I wish to express my gratitude to Raj and to all those wonderful bloggers who stop by and visit.

wpc: temporary

springcreek-1web

Nikon D50   f/10   1/50 s   24 mm   100 ISO

Memory bridges our past with the present and awakens us to an awareness that life is created by minute moments that often go unnoticed as our minds are frequently elsewhere.  Photography offers us a means to awaken to these temporary moments and to create priceless keepsakes of our yesterdays.

xdrive photography learning – 14 – post processing

This original raw image was created during the golden hour.  It was my intention during this photo walk to photograph with a 35 mm prime lens and practice being inconspicuous as I photograph people.

Raw image

nov-photo-lesson-1

Nikon D750   f/7.1   1/160 s   35 mm   400 ISO

The post processing of the above raw image included adjusting the white balance, contrast, sharpening, shadows, and highlights as well as tweaking the exposure warnings, saturation, clarity, and structure.  I also used Nik Effects Dfine to address noise and Vivezaz to lesson the shadow of the two young men.  The horizontal field was slightly adjusted using the building in the background before cropping.  I thought that including the path’s curve would be more likely to allow the image to breathe and to invite an imaged story about the family.

nov-photo-lesson-2
I have found that adjusting for sharpness, clarity, and structure requires a bit of attention to highlight and shadow adjustments.  When I read Raj’s explanation, “the white balance of a camera is a setting where you tell the camera what actually white color” reminded me about past tutorials that have recommended using the color picker to set the white balance from a grey color or color natural area.  Grey to create white?

The cropped monochrome image (processed within Nik’s Color Efex Pro 4) below is an example of the sharpness of the 35 mm lens.  I found that the closer cropped image invites me to image a story more about the two young boys than the family and reminded how I found myself smiling as I watched them engaging life as the sun settled in the west.

nov-photo-lesson-3a

Thank you Raj for this amazing opportunity to explore and expand my understanding of photography.

autumn with basho

Will you turn toward me?

I am lonely too,

this autumn evening.

~Basho (F. Bowers, The Classic Traditions of Haiku)

autumn

I felt compelled to update this earlier post to invite you to visit LdG luciledegodoy  who earlier noted my image inspired her to post a photograph she created a few days ago. I invite you to hop on over to visit her post and while there listen to Eva Cassidy’s wondrous voice and the story of her life.