Week 26 Composition: Geometry (We live in a world surrounded by geometry. Use Geometry in your photo this week.)

Image submitted in response to Dogwood Photography’s annual 52-week photography challenge.
Week 26 Composition: Geometry (We live in a world surrounded by geometry. Use Geometry in your photo this week.)

Image submitted in response to Dogwood Photography’s annual 52-week photography challenge.

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“He sought out a background with formal qualities interesting in themselves. Often it was a wall parallel to the place of the image, or a space lending perspective with defined graphic lines. Then he waited for figures to come and find their place in this arrangement of forms, in what he himself called ‘simultaneous coalition.’ His approach to composition was like a little theater with a set and actors. One part of what formed the geometric quality of his images was perfectly controlled: the other–and probably the most important-was the result of chance.” (cited: Aperture Masters of Photography Henri Cartier-Bresson)
This week I would like to introduce you to Ian MacDonald, an Official Fujifilm X Photographer and educator living in Vancouver, British Columbia, Canada. In his first of a series of street composition blogs, he reviews:
What really matters in a photograph

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Setting the stage

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Street portraits

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Detail Shots

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I hope you, also, find this to be interesting and informative. As always, I would love to read your thoughts and see your images. Let’s tag with #aphotostudy. Until next week…
Photography is representational by nature in that the subject(s) within most images depict the real world and usually are easily recognizable; for example, a photograph of tree generally looks very much like a tree.

Ted Forbes notes that abstract photography within the art world is drawn from skills that are different from other forms of art and, “It is something that we are not used to seeing in every day life…When it is done well, it stands out and it’s really exciting. When it is not done well, it is weird.”

Fundamentally, abstract art is a visual form that does not convey a realistic depiction of the world. This departure from reality can be partial or complete; therefore, we are often uncertain about the identification of the subject. Photographs within this genre diverge from a realist depiction of the world through the use of form, color, and lines.

Form is the shape of the elements within the image and is the foundation of an abstract image. When creating abstract photography, ask yourself, “is there an interesting form/shape with this image?”

The variations and contrast of colors within art create interesting images and evoke feelings within the viewer.

Lines within the image directs the viewer’s eye and creates a dynamic image by emphasizing movement.

There are different techniques photographers use to create abstract image: 1) selective focus, 2) light and shadow, 3) lines and textures, 4) blur, 5) zooming, 6) moving the camera or subject, 7) double exposure, and 8) moving in close or standing far away.

I’ve come to understand abstract/non-representational imagery as an absence of the type of discrimination and labeling process that seeks an answer to, “what is that?” to one that invites the viewer to explore, “what feelings does this image evoke?”

Thank you for taking the time to visit my blog and for the exchange of ideas and photographs. I am inspired by the process of viewing and exchanging ideas with other bloggers and am excited about walking through your galleries of abstract/nonrepresentational photographs. I hope you find Ted Forbes’ video interesting.

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Ted Forbes notes that the rule of space offers the photographer a way to create a sense of motion, activity or conclusion within one’s composition and that it simply involves creating negative space that relates to the subject within the image.
For example, if you place negative space outside your subjects head in a portrait, you imply maybe there is thought going on – particularly if you direct your subject’s eyes toward the negative space.
Or if you have a picture of a motorcycle zooming across the desert. Placing the negative space in front of the motorcycle creates a sense of direction or implication of eventual destination

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It is my thinking that Ted Forbes’ discussion dovetails nicely with Raj’s Xdrive photography lesson about a photograph speaking.
a “good picture always speaks out its story…The story the picture is trying to broadcast is nothing but your vision or an intent or a message you are trying to convey to the viewers.

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Thank you for taking the time to visit; and as always, I would love to read your thoughts about the interconnection between story and space as photography composition tools and any images you would like to share.
Hope you enjoy Ted Forbes’ Rule of Space video.
The use of negative and positive space within photo composition aids in directing where you want the viewer’s eye to go.
Hop on over to Amy’s The World is a Book to journey through her images of positive and negative space.
Visual Rhythm brings to mind that moment in elementary school during a lecture on diagramming sentences in which I found myself totally confused. It was as if I had missed school for an extended period of time and now being back I am way, way behind the rest of the class…their eyes shining with understanding, their quick responses to questions…expanding the abyss between grammar and I.

Then there were those nightmares where I suddenly found myself wandering the school halls, lost and unable to locate my classroom, no one apparently seeing or hearing me, the anxiety intensifying because there is an exam scheduled on a topic that I had either totally forgot to study or simply couldn’t understand. All of this begs the question, “how does one study what one cannot understand?”

This past week my “focus” on rhythm has had me revisit those school memories of struggling to understand, to perceive, to apply…I have come to equate visual rhythm with English grammar and Mathematical imaginary numbers. And to even muddy my comprehension even more, my research through various websites found variations on this theme:
1) Sae Alumi notes that we always search for rhythm, balance, and harmony in photography and that the effort to master these three will make us more conscious and aid in creating more appealing images.
The repetition of forms is easy to find … Everything around us is built out of shapes that are pretty basic and often similar to each other. Look at trees: their forms could be closed in imaginary triangles, rectangles or circles. Start to observe shapes repeating in nature and the city space, within your body. Photograph structures of windows in skyscrapers or lines painted on a road.

2) APN
The primary characteristic of rhythm is its predictability and order. For example, day and night and the pattern of seasons are predictable and follow a particular movement along a connected path to exhibit a sense of rhythm. Rhythm is as important in photography as it is in music. Music when not in rhythm can be categorized as noise. But when it attains a timed beat at regular intervals, it turns pleasant to the ears. … Similarly, rhythm in photography renders a pleasant sensation to the eyes.

3. Sophia
Repetition refers to one object or shape repeated; pattern is a combination of elements or shapes repeated in a recurring and regular arrangement; rhythm is a combination of elements repeated but with variations.
Rhythm is like pattern, in that the same elements (i.e. shape, line) are repeated; however, with rhythm there are slight variations in the pattern. Rhythm is easily perceived but complex and subtle. Think of water on a beach; it continually breaks on the shore in lines that are repeated, yet each one is different.

Rhythm is a repeating pattern through time (in music) or in space (more useful for our purposes). Whether you have a repeating individual element, such as the lines in the sand…or repeating groups such as the rows of magnets… (and remember, our brains will create groups, even if we didn’t intend them to be there), it’s important to think about the energy that this repetition adds to an image. Rhythm can be used to add peace and regularity to an image, and it can also be used to help a subject that interrupts the rhythm stand out

Rhythm is a regular and repeated pattern, usually of sound or movement. …How do we define rhythm visually? As a design principle we can say rhythm is the patterned repetition of elements in space. We place elements on the page and experience the intervals between them. Time enters as our eye moves from one element to the next and through this rhythm in space and time we can create a sense of organized movement similar to a musical beat.
There are a variety of places where you can find rhythm.
• music — patterns of sound over timed intervals
• dance — patterns of movement and gesture through physical space
• speech — patterns of cadence in spoken words
• writing — patterns of cadence written words
• painting — patterns of brush stroke, color, shape, on a canvasNotice the repetition of the word “patterns” in the list above. Pattern is essential to rhythm. So is repetition. The list above creates a rhythm though repetition. Visually each list item begins with a bullet. The bullet is then followed by a single bolded word, an mdash, and the words “patterns of.” Were I to add another item to the list you would expect it to follow the same predictable pattern.
Notice too, the slight variations created with the length of each line and by the links in a couple of the list items. These variations help break the monotony and add surprise and interest to the rhythm.

To add to this conversation there are different types of rhythm:
regular rhythm
alternating rhythm
flowing rhythm
random rhythm
progressive rhythm
symmetry rhythm
undulating rhythm, and (breaking this repetition)
rhythm sensation

Now I have a clearer understanding as to why, despite my continued efforts, I could never draw random v-shaped birds in my childhood drawings. While I may stumble in my attempts to comprehend rhythm, I have come to understand that all of us are hard wired to see and create patterns.
I would love to hear your thoughts about visual rhythm and to see how you incorporate this composition element within your own photography. Also…does anyone know of an elementary article about visual rhythm?
Rhythm, a vital element within music, dance, and poetry, is also important in photography. Ted Forbes writes that visual pulses are within all visual compositions.

Repetition is easy to find…all around us are shapes that are pretty basic and similar to each other. We will see them repeating at regular intervals within nature, design, works of art, architecture, and photography.

Standard rhythm involves the same or similar elements repeating at regular intervals — think of equally spaced light posts extending from left to right across the frame, the slats of a crib, or a series of windows on the side of a city apartment building. These patterns can be thought of as a subset of rhythm in that patterns always have rhythm, but rhythm doesn’t always have patterns.

Rhythm affects the quality of our viewing experience and helps draw and keep the observer’s eye within the frame. Visual rhythm is often most powerfully used as a vehicle for or backdrop to your central story or primary subject.

After a week of studying rhythm, I’m finding a need to stay with this topic as the extension of rhythm within sound and physical sensations to a visual format is like…hmm…sitting in an introduction to physics class. Well, maybe not exactly like a physics class…maybe more like an introduction to “imaginary numbers.”

In the meanwhile, I’ve concluded this week’s photo study blog with a Ted Forbes’ video rhythm in visual composition. I would enjoy hearing your thoughts and understanding about rhythm as well as seeing some of your creative use of repeating patterns.
Someone once shared with me her personal goal of reading one book of child psychology for a week over the course of a year. She then asked, “Would that result in me becoming an expert?”
Off and on over the years, I have found myself pondering this exchange. About three weeks ago, while watching a Ted Forbes YouTube video I wondered, “how would my photography change if I was to “focus” on a particular element of photography each week for a year while also including various past lessons into my images throughout that week?
Well…I’m into my third week of this journey, The first week was exploring focusing techniques; the second, rule of odds; and this week, simplification and negative space.


At this time, it is my intention to review my journey and share a photo video each Saturday. If you wish to join me, I would enjoy hearing and seeing your photo journey.
Simplification and Negative Space (Ted Forbes, The Art of Photography)

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Within this week’s photo lesson RAJ restates that a successful picture is one where your viewer lingers for a bit. One way of encouraging a prolonged and concentrated stay is through the use of frames that add depth, bring in the context to the story/object, create mystery, and hide unwanted elements within the image.
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