weekly photo challenge: cheeky

wpccheeky

Tour de Fat

Michelle challenges us to find a little irreverence in our world within the theme of cheeky.  I must admit it is a bit difficult to silence anxiety–as  fires rage in southern California, the number of employed homeless increases, the possible financial impact due to an inequality of federal tax burdens, children in Yemen starving, and the list goes on and on and on–long enough to shift my focus towards something “impudent or irreverent, typically in an endearing or amusing way.”    Tour de Fat…a day filled with bikes, costumes, music, friends, and family.

 

 

in the shadow…homelessness

This abandoned house

shining

in the mountain village–

how many nights

has the autumn moon spent here?

~Ono no Komachi (J Hirshfield & M Aratani, The Ink Dark Moon)

streethomelessness

Lumix GX85   f/5.6   1/400 s   32 mm   200 ISO

Just a few words about today’s homelessness from the AP:

A homeless crisis of unprecedented proportions is rocking the West Coast, and its victims are being left behind by the very things that mark the region’s success: soaring housing costs, rock-bottom vacancy rates and a roaring economy that waits for no one. All along the coast, elected officials are scrambling for solutions.

“I’ve got economically zero unemployment in my city, and I’ve got thousands of homeless people that actually are working and just can’t afford housing,” said Seattle City Councilman Mike O’Brien.

cited:  Amid booming economy, homelessness soars on US west coast, Gillian Flaccus & Geoff Mulvihill, Associated Press, Nov. 9, 2017

Homeless advocates and city officials say it’s outrageous that in the shadow of a booming tech economy – where young millionaires dine on $15 wood-grilled avocado and think nothing of paying $1,000 for an iPhone X – thousands of families can’t afford a home. Many of the homeless work regular jobs, in some cases serving the very people whose sky-high net worth is the reason housing has become unaffordable for so many.

cited: ‘We still need to eat’: Tech boom creates working homeless, Janie Har, Associated Press, November 8, 2017.

And in the shadow of homelessness, tax havens for the wealthy:

The fundamental lesson of the Panama and Paradise Papers is twofold. First, the people everywhere, regardless of whether they live in Russia or America, are being oppressed by the same minuscule social circle of wealthy elites who unduly control our governments, corporations, universities and culture.

We now know without a doubt – thanks to the incontrovertible evidence provided by the Panama and Paradise Papers – that there is a global plutocracy who employ the same handful of companies to hide their money and share more in common with each other than with the citizens of their countries. This sets the stage for a global social movement.

Second, and most importantly, these leaks indicate that our earth has bifurcated into two separate and unequal worlds: one inhabited by 200,000 ultra high-net-worth individuals and the other by the 7 billion left behind.

cited: Why aren’t the streets full of protest about the Paradise Papers?, Micah White, The Guardian, November 10, 2017.

and…continued denial of basic human needs over political and corporate greed

… over the past few weeks, several Republicans have indicated that the tax bill would boost the wealth of the already rich and ensure that their political donations keep flowing to help the GOP hold power in 2018.

“My donors are basically saying, ‘Get it done or don’t ever call me again,’” Rep. Chris Collins (R-N.Y.), himself a millionaire,

Sen. Lindsey Graham (R-S.C.) told reporters on Thursday that a failure to pass tax reform would fracture the Republican Party and lead to more far-right wing primary challengers. “The financial contributions will stop,” he added.

cited: Republicans Admit that CEOs and Donors Really Need the Tax Cut Bill To Pass, Paul Blumenthal, HuffPost, November 9, 2017

How much money does one person really need?

In closing

Little is known about Ono no Komachi’s life, “and the stories about her are drawn from a blending of historic fact and suppositions drawn from her writings.  In The Dark Moon, Hirshfield and Aratani noted that historians believe she was the daughter of the lord of Dewa and served the court in the middle of the ninth century.  Legends, folktales, and songs paint her as the outstanding woman poet of her time and the most beautiful and desirable of woman.  Legend also tells us that towards the end of her life, she lived “in anonymity, isolation, and poverty, an ancient, half-mad hag living outside the city walls, though still writing poetry and possessing a deep understanding of Buddhist teachings.

Can we look at each other and recognize ourselves in each other?

This youtube video is drawn upon Thich Nhat Hanh’s poem Please Call Me By My True Names. 

vanishing moments

Henri Cartier-Bresson said that photographers deal in things which are continually vanishing, and which no contrivance on earth can bring back again. Not even photography can bring these things back, except in the memory of those who knew them, or in the imagination those who did not.

(cited: J. Szarkowski, Looking at Photographs, pg. 124)

shadowstudyweb

Lumix GX85   f/7/1   1/640s   32 mm   200 ISO

Ólafur Arnalds is a BAFTA-winning multi-instrumentalist and producer from Mosfellsbær, Iceland. Ólafur Arnalds mixes strings and piano with loops and beats crossing over from ambient/electronic to pop.

Inconspicuously

street-3

Lumix GX85  f/7.1   1/320 s   32 mm   ISO 200

A valuable resource for those who have an interest in expanding their understanding of street photography can be found at the  Streets of Nuremberg.  His intention is to to give back to those who have given him so much by offering  a “one stop resource pool” where photographers can find free tips, tutorials, inspirations and everything else.

The above image was created (with a bit of awkward anxiety) using Streets of Nuremberg’s Photography Quick Tip 1 for photographing inconspicuously; that is,

Line up in the general direction of your subject, raise the camera and shoot something behind or above him/her. Absolutely avoid eye contact, best look through the viewfinder of your camera. Bring the camera down, pretending to check the image you just took on the LCD back screen of your camera, your finger still on the shutter, still avoiding any eye contact with your subject. Instead of checking the image you just have taken above or behind your subject, compose your shot with your subject through the LCD back screen of our camera and shoot the “real” picture.  Do not (!) check the photograph you’ve just taken, instead raise the camera again and “redo” the first shot behind or above the subject. Repeat as needed. And  don’t blush 😉