lens-artists photo challenge: reflections

window reflections

Sony RX100 f/1.8 1/640 8.8mm 80 ISO

Miriam (The Showers of Blessings) a Lens-Artists guest host defines reflection/mirror photography as using “… reflective surfaces to create an artistic echo of a scene. This type of photography can add an interesting spin to locations that are hot spots for photographers such as oceans, lakes, puddles, and even rain drops.”

Wet’suwet’en’s resistance

As the Government refuses to move an inch continuing the resistance is critical! 

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Nikon D750 f/4.5 1/2000s 85mm 800 ISO

“The BC and Federal Governments have abruptly stepped away from talks that were scheduled for this week as the Wet’suwet’en Hereditary chiefs justly stated they would not ask other Nations to stand down as a precondition to having Nation to Nation talks. 

“Powerful actions and a widespread will to struggle against injustice have proliferated in response to the raid on Tyendinaga as anger grows at the Government’s use of force and steadfast refusal to negotiate in good faith. 

“The Government’s demand that blockades end for talks to begin illustrate how powerful this movement is and how afraid they are of widespread and sustained Indigenous resistance. The Wet’suwet’en Hereditary chiefs have asked for people to continue to act in support of their demands.   

“… people have risen up in defiance of colonial injunctions and set up new rail and road blockades across the country: Over 500 people shut down rail traffic in Toronto, The Port of Vancouver was shut down for over 24 hours, Kahnawake Mohawks reinforced their barricades in response to an injunction, Indigenous youth retook the BC Legislature vowing to stay until Nation to Nation talks occur, and new rail blockades went up in Chase, Abbotsford, Maple Ridge, Hamilton, Gitxsan territory, Lennoxville among many other incredible actions. 

“As police begin to act more aggressively towards new blockades many people have made tactical temporary retreats avoiding arrests and setting themselves up to continue to struggle in a sustained fashion.” 

cited: facebook

cee’s black & white photo challenge: roads

Sony RX1003 f/3.2 1/500s 8.8mm 80 ISO

Image posted in response to Cee’s Photo Challenges: black and white photo challenge…

  • black and white photography
  • sepia tones
  • selective color with the majority of the photo being in black and white
  • desaturated

opinion

I am puzzled about how life simply seems to go on while there are so many ongoing wars and wars within wars. I ask, “How do I go on with my daily life blinded to the manifestation of so much suffering…so much destruction of lives, hopes, dreams and procreation of anger, trauma, and rejected/negated refugees?” “Do I have an unconscious belief in an impenetrable barrier between those in unknown parts of world and I?” “Does identifying people as those and them serve to further eradicate them from humanity…to lessen a moral imperative?” “What kind of world would it be if humans were forced to silently pause during the duration of pounding missiles? or maybe…during frozen moments of time between bombings?”

multi-tasking: cell gazing while protesting

no war

“The US and Britain have been making war in the Middle East for 18 years without pause. The “conflicts of 9/11” must rank among the cruelest and most costly and senseless of the post-imperial age, says Simon Jenkins.

Unknowable thousands of civilians have died, and billions of pounds’ worth of property been destroyed. Christianity has been all but wiped out in the region, and some the finest cities in the ancient world have been bombed flat. No audit has been made of this. The opportunity cost must be unthinkable. What diseases might have been eradicated, what climate crisis relieved. “

cited: the guardian, 11/15/19

dogwood photography challenge – composition: viewpoint

Week 44 Composition: Viewpoint (Changing your viewpoint creates a different perspective and is often used by photographers to create interest. Shoot this week from the viewpoint of another person.)

United Nations notified of the U.S. intent to withdraw from the Paris climate agreement

A formal withdrawal is reversible, however, if a future administration chooses to rejoin the Paris Agreement and pick up where the U.S. left off with its emissions reduction promises.

NPR, All Things Considered, Rebecca Hersher, November 4, 2019

A 3-minute listen U.S. Formally Begins to Leave The Paris Climate Agreement, NPR Rebecca Hersher, November 4, 2019

Image submitted in response to Dogwood Photography’s annual 52-week photography challenge.