“Point of view” in photography simply means the position from which the camera’s eye sees the scene. Is the camera looking down on the subject? Looking up, sideways, or straight on.
How close is your camera to the subject? Is there anything between you and the subject? Is the source of light in front, to the side, or from the back? Every decision you make about point of view has the potential to introduce an unique visual experience to the viewer.
“… ‘What is REAL?’ asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. ‘Does it mean having things that buzz inside you and a stick-out handle?’
‘Real isn’t how you are made,’ said the Skin Horse. ‘It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.’
‘Does it hurt?’ asked the Rabbit.
‘Sometimes,’ said the Skin Horse, for he was always truthful. ‘When you are Real you don’t mind being hurt.’
‘Does it happen all at once, like being wound up,’ he asked, ‘or bit by bit?’
‘It doesn’t happen all at once,’ said the Skin Horse. ‘You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.’
The Rabbit sighed. He thought it would be a long time before this magic called Real happened to him. He longed to become Real, to know what it felt like; and yet the idea of growing shabby and losing his eyes and whiskers was rather sad. He wished that he could become it without these uncomfortable things happening to him.” ~The Velveteen Rabbit, M. Williams
Images and quote The Velveteen Rabbit by Margery Williams submitted in response to Becky’s (The Life of B) walking squares.
If I could do as I wish I could acknowledge more profoundly ~ The Sarashina Diary (1009-1059) *
*Translated: The sorrow of departing in Autumn. There are a thousand kinds of flowers in the autumn fields, so there are a thousand reasons for going to the fields.
Cited: Diaries of Court Ladies of Old Japan
Images submitted in response to Becky’s (The Life of B) walking squares.
Upon reflection of the past 11 years with Word Press there have been virtual connections that inspire, moments of anticipation, exchanges of ideas; and most important, a sense of being heard through exchanges of posts.
These various connections feel similar to childhood exchanges with pen pals. As well as letters, sent and received, the umbilical cords that nourished the emotional connection with family and friends despite the separation of miles.
Pen to paper that silently reaffirmed “thinking of you.” The anticipation that accompanied opening the mail box, tossing the envelopes with business return address onto the kitchen table while sitting down with a cup of tea to open letters that were like gifts of validation … of love.
It is amazing to read statistics that tell of the global connections that have been formed through blogging and virtual meetings. The inherent joy that arises through people connecting through the internet.
The WP anniversary invites me to say: thank you for your challenges, positive and inspiring comments, sharing the tidbits of your life, and creative words and photographs. Also, I appreciate the lessening importance of the numbers of followers and “likes” in light of the continuation of shared interests and new acquaintances.
Yet, I’ve found that over the past eleven years and most notably over the past three there is an emptiness that is occurring with the sudden and unexplained absence of posts… Emptiness that becomes filled with grief and loss.
I miss: our exchanges of haiku, you…an amazing writer of life, jokes you posted that I shared with my grandchildren, the diary you shared after being diagnosed with cancer, your abstract sea landscapes, your reflections of aging, your travel photographs, your invitation to edit selected photographs … I miss the connection I formed with each of you over the years.
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