dandelion wind
and departing parachutes
awaiting a spring

dandelion wind
and departing parachutes
awaiting a spring

Beckoning me?
Surely not –
pampas grass
~Nishiyama Soin (S Carter, Haiku before Haiku)

Nikon D750 f/5.6 1/160s 45 mm 100 ISO
This morning I will fetch water,
cut firewood,
and pick herbs
during a break
in this autumn shower.
~Ryokan

Even in a person
most times indifferent
to things around him
they waken feelings–
the first winds of autumn
~Saigyō

If I should live long,
Then perhaps the present days
May be dear to me,
Just as past time filled with grief
Comes quietly back in thought.
~Fujiwara no Kiyosuke

In pine wind
bellsounds shower down
with evening rain.
~Sogi (S Carter, Haiku before Haiku)

Nikon D750 f/7.1 50 mm 1/80 s
Leaves on the reeds
will be suffering to –
after a storm
~Ikkado Joa (S Carter, Haiku before Haiku)

Being alone
may also be pleasant –
autumn dusk.
~Buson (Y Sawa, Haiku Master Buson)


Nick Cave and Warren Ellis create film and theatre scores that are elegantly minimal, hauntingly beautiful and instantly recognisable as theirs alone. Full of light and shade, creeping dread and inconsolable yearning, these heavily instrumental sound paintings inject aching humanity into ghostly frontier towns, parched desert vistas and post-apocalyptic war zones. Most are built around the duo’s intertwined piano and violin melodies, with sporadic use of guitar, flute, mandolin, celeste, percussion and other elements. Vocals are rare and sparing. But even without lyrics, they are always lyrical.
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