lens-artists photo challenge: distance

My abode is

in winter seclusion

on this white mountain in Echigo.

No trace of humans

coming or going ~ Ryokan (Trans: K tanahashi, Sky Above, Great Wind)

Nikon D750 f/1.8 1/400 35mm 200 ISO

with nothing

to touch, a dead branch

grabs at the sky ~Katsura Nobuko (cited: Trans: M Ueda, Far Beyond the Field)

Nikon D750 f/1.8 1/10s 35mm 200 ISO

Protecting the child

from the cold autumn wind,

the old scarecrow. ~ Issa (cited: Trans: S Hamill, The Spring of My Life)

Nikon D750 f/1.8 1/640s 35mm 200 ISO

Winter wind!

A charcoal peddler all alone

in a small ferry boat ~ Buson (cited: Trans: Y Sawa & E M Shiffert, Haiku Master Buson)

A special thank you to the Lens-Artists Photographers who continue to challenge and inspire. The above images and poetry is submitted in response to Travels and Trifles challenge: distance.

Please be safe. We can do this…we really can!

“Mystere: – Kalimando” | Cirque du Soleil

lens artists photo challenge: chaos

Chaos – eternal, immense, uncreated – from which all is born; nether darkness nor light, nor damp nor dry, not hot nor cold, but all things mingled, eternally one and limitless.

winterwalk
Nikon D750 f/1.8 1/4000s 35mm 200 ISO

Chaos was the beginning.  Within her void slumbered, in undifferentiated fusion, all the elements, the potential, the seed of a person.  Yet, some say that Chaos was born from Mist and that Mist was the first to exist.  

Mist is symbolic of things indeterminate, or the fusing together of the elements of air and water, and the inevitable absorbing of the outlines of each aspect and each particular phase of the evolution process. 

It is also said that Chaos existed from the beginning together with Nyx, the goddess of Night, mother of Erebus, god of darkness, and Tartarus, the underworld.  

Or is Chaos the soul’s state of potentiality – eternal, vast, uncreated, where all is intermingled, folding and unfolding, evolving and enveloping – prior to the birth to the unconscious?  

winterwalk
Nikon D750 f/1.8 1/4000s 35mm 200 ISO

stillness–
in the depths of the lake
billowing clouds

~Issa (cited: www.haikuguy.com)*

*David G. Lanoue (a translator of Japanese haiku, a teacher of English and world literature, a writer of haiku and “haiku novels) writes that this haiku serves as a substitute for experience–or, perhaps, a clear window into experience–allowing the reader, in contemplation, to see that same lake, those same clouds, and to feel the serenity and stillness of the moment. 

The above images are drawn from a 30 day photo assignment (same lens – camera wide open) and are submitted in response to Leya’s lens-artists photo challenge: chaos.

May you know serenity and stillness …

lens-artists photo challenge: reflections

window reflections

Sony RX100 f/1.8 1/640 8.8mm 80 ISO

Miriam (The Showers of Blessings) a Lens-Artists guest host defines reflection/mirror photography as using “… reflective surfaces to create an artistic echo of a scene. This type of photography can add an interesting spin to locations that are hot spots for photographers such as oceans, lakes, puddles, and even rain drops.”

lens-artists challenge: capital

Solidarity Action with Unis’tot’en Water Protectors

(Yinka Dini – People of this Earth) Unis’tot’en – People of the Headwaters

The Unis’tot’en (C’ihlts’ehkhyu / Big Frog Clan) are the original Wet’suwet’en Yintah Wewat Zenli distinct to the lands of the Wet’suwet’en. Over time in Wet’suwet’en History, the other clans developed and were included throughout Wet’suwet’en Territories. The Unis’tot’en are known as the toughest of the Wet’suwet’en as their territories were not only abundant, but the terrain was known to be very treacherous. The Unis’tot’en recent history includes taking action to protect their lands from Lions Gate Metals at their Tacetsohlhen Bin Yintah, and building a cabin and resistance camp at Talbits Kwah at Gosnell Creek and Wedzin Kwah (Morice River which is a tributary to the Skeena and Bulkley River) from seven proposed pipelines from Tar Sands Gigaproject and LNG from the Horn River Basin Fracturing Projects in the Peace River Region

The Unist’ot’en Camp is an indigenous re-occupation of Wet’suwet’en land in northern “BC, Canada.” The Camp is on high alert in response to the Coastal Gaslink’s application for an injunction, as well as served notice for a civil lawsuit to claim financial damages for “occupying, obstructing, blocking, physically impeding or denying access” against the Camp on their own unceded territory and denying the collective hereditary leadership of the Wet’suwet’en.

‘Wiggus’, the Wet’suwet’en word for respect. In the landmark Supreme Court Decision of Delgamuukw Gisday’wa Wiggus it was defined as “respect for all living-beings, starting with oneself”.

The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.

Who is bankrolling the Coastal Gaslink Pipeline

Coastal GasLink is a project of TransCanada Pipelines Ltd., the same subsidiary of TransCanada behind the controversial Keystone XL tar sands pipeline. The 420-mile Coastal GasLink pipeline would carry fracked gas from northeast British Columbia to LNG Canada, a massive proposed liquefied natural gas (LNG) terminal that exemplifies the sector’s climate and human rights impacts.

JPMorgan Chase

Bank of Montreal

Deutsche Bank

Canadian Imperial Bank of Commerce

Go to Mazaskatalks.org to see if your bank is invested in fossil fuels

Divestment is the opposite of investment. It is removing your funds, benefits, capital and stock from companies and approaching institutions asking them to remove their money out of companies for either ethics and/or financial reasons.

In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. INVASION is a new film about the Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. 

Fossil fuels have been utilized as our primary energy source since the industrial revolution in the mid 18th century. Fossil fuels have provided jobs as well as heat and electricity before and during our lifetimes. The problem is that the extraction process and burning of fossils fuels have caused extreme pollution of low income (indigenous, Black and People of color) communities, threatened sensitive ecosystems and is causing green house gases to climb at all-time highs. The world is now heating at an unprecedented rate: storms, hurricanes and other natural disasters are becoming more frequent and powerful than we have ever seen. In the midst of the 6th mass extinction and overall threat of climate change, we need to oppose all future fossil fuel expansion projects, and make a just and fast transition to renewable energy.

This week’s post was made in response to the lens-artist’s challenge by Vivekacapital. It was created to advance global awareness of the Costal Gaslink Project.

lens-artists photo challenge: favorite photos of 2019

2019 in review…

As I was reviewing 2019 images within the WP media library, I notice these two images side-by-side. While not my favorite images, together they create a unique perspective and invite contemplation.

As 2020 unfolds, present moment by present moment, may you and all your loved ones awaken to life’s mysteries and know joy.

Images submitted for Patti’s lens-photo challenge – favorite photos of 2019.

lens-artists photo challenge: pick a place

Poudre Canyon.

“...climate investing is still burdened by many preconceptions and myths.”

Six Climate Investing Myths Debunked, Morgan Stanley
  • Myth 1 – The climate problem is all about global warming
  • Myth 2 – An ESG strategy addresses climate solutions
  • Myth 3 – Renewable energy is the main solution
  • Myth 4 – Renewables need subsidies for compelling returns
  • Myth 5 – Early stage clean-tech investing is a wild goose chase
  • Myth 6 – Climate investing depends highly on political and regulatory changes

Lens-Artists photo challenge: pick a place – how about the earth?

lens-artists photo challenge: countryside

Sony REX-5N f/9 1/160 70mm

Ten years it took

To build my little cottage.

Now the cool wind inhabits half of it

And the rest is filled with moonlight.

There is no place left for the mountain and the stream

So I guess they will have to stay outside.

~Song Sun (1493-1583) Trans: V O Baron & C S Park

Wyoming landscape and poetry submitted in response to Amy’s (The World is a Book) lens-artists photo challenge: countryside and/or small towns.

lens-artists photo challenge – magical

Rain, hail, snow, and ice;

All are different,

But when they fall

They become the same water

As the valley stream

~Ikkyu Sojun

Horsetooth Reservoir …. Nikon D750 f/8 3 1/2 min 24mm

Image and poem submitted in response to Leya’s photo challenge: magical