spurting
image submitted in response to Lost in Translation’s pick a word challenge.
spurting
image submitted in response to Lost in Translation’s pick a word challenge.

Nikon D750 f/7.1 1/400s 55mm 1800 ISO
Image submitted in response to Ryan Photography’s weekly monochrome challenge.

“I suggest that… Although healthy persons communicate and enjoy communicating, the other fact is equally true, that ‘each individual is an isolate, permanently non- communicating, permanently unknown, in fact, unfound.’” ~ Winnicott, The Holding Environment
“…What was really incomprehensible was the discussion, as it was called. Cast into and enclosed in the gray lead frame of polite empty British phrases, the people spoke perfectly past one another. Constantly they said they understood each other, answered each other. But it wasn’t so. No one, not a single one of the discussants, showed the slightest indication of a change of mind in view of the reasons presented. And suddenly, with a fear I felt even in my body; I realized that’s how it always is. Saying something to another, how can we expect it to affect anything? The current of thoughts, images and feelings that flows through us on every side, has such force, this torrential current, that it would be a miracle it it didn’t simply sweep away and consign to oblivion all words anyone else says to us, if they didn’t by accident, sheer accident, suit our own words. Is it different with me? I thought. Did I really listen to anybody else? Let him into me with his words so that my internal current would be diverted.” ~ Pascal Mercier, Night Train to Lisbon (pg 136-137)
“…It is a joy to be hidden but disaster not to be found.” ~ Winnicott, The Maturational Processes and the Facilitating Environment : Studies in the Theory of Emotional Development

Nikon D750 f/5.6 1/400s 210mm 5000 ISO

Nikon D750 f/5.6 1/400s 62mm 900 ISO
Image submitted in response to Leya’s lens-artists’ challenge: blending in – or standing out?
If only his horse
had been tamed
by my hand–
I’d have taught it
not to follow anyone else!
~Izumi Shikibu (J Hirshfield & M Arantani, The Ink Dark Moon)

Nikon D750 f/5.6 1/400s 112mm 640 ISO

Sony RX100 III f/9 1/250s 25.7m 800 ISO
“Man tends to regard the order he lives in as natural. The houses he passes on the his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the harmonious functioning of the world. … He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money as the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and children play… He is accustomed to satisfying those of his physiological needs which are considered private as discreetly as possible, without realizing that such a pattern of behavior is not common to all human societies. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff.
His first stroll along a street littered with glass from bomb-shattered windows shakes his fate in the ‘naturalness’ of his world. The wind scatters papers from hastily evacuated offices, papers labeled ‘Confidential’ or ‘Top Secret’ that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Further down the street, he stops before a house split in half by a bomb, the privacy of people’s homes—the family smells, the warmth of the beehive, life, the furniture preserving the memory of lies and hatreds—cut open to public view. … His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of the extinct past.
He finds he acquires new habits quickly. Once, had he stumbled upon a corpse on the street, he would have called the police. A crowd would have gathered, and much talk and comment would have ensured. Now he must avoid the dark body lying in the gutter, and refrain from asking unnecessary questions. The man who fired the gun must have had his reasons…. ” ~C Milosz, The Captured Mind

Sony RX100 III f/2.8 1/200 24.28m 800 ISO

Sony RX100 III f/5.6 1/250s 8.8m 800 ISO

Sony RX100 III f/8 1/400s 25.7m 800 ISO
This week’s photo challenge is offered by Patti at P.A. Mood who challenges us to “freeze in action” nature, people, objects, or animals on the move. Or, she notes “halting” the movements within the sky, or on land, the playing field, or a busy street.
Here is a moment of two young boys interacting with water spouts.

Sony RX100 III f/11 1/320s 25.7m 800 ISO
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