
Nikon D750 f/4 1/8s 35mm 100 ISO

Nikon D750 f/4 1/8s 35mm 100 ISO

Spring Creek … f/5.6 1/4,000s 300mm 800 ISO
Choose one subject, anything will do — your own house, or the house opposite, or the next house — and in place of a tripod, drive a stake into the ground, nail a board on top of this, and make a screw hole in the board for the screw of your camera . . . Photograph your subject at every hour of the day, on fine days, and at intervals on dull days, photograph it after it has been rained on for weeks, and after it has been sun-dried for months.
~Frank Meadow Sutcliffe (cited: The Aperture History of Photography Series)

rippling reflections….Nikon D750 f/4.8 1/250 62mm 800 ISO
The weeping willows stand east of the curtained bowers;
Orioles and butterflies pass through the faded flowers.
But peach blossoms on Cold Food Day are beautified
By beauties living or buried by the lakeside.
~Liu Rushi
The other day, while wandering about YouTube, I stumble upon a Chinese movie, “Liu Ru Shi,” and was memorized by the story of her life’s journey within the Ming and Qing Dynasties.
The amazing cinematography that went into the telling of Liu Rushi’s life introduced me to a woman who is known as one of the “Eight Beauties of Qinhuai.” She was celebrated in her time for her beauty and talents and later appreciated and cherished for her integrity and patriotism.
Liu Rushi was not her original name, but a name she gave herself from one of her favorite poems written by Xin Qiji of the Song Dynasty (960-1279).
The movie begins at the time she was sold by her family to a prostitute as a stepdaughter and then, as a maidservant, to a rich scholar family. During the time in the Zhou household, she was educated in literature, poetry, music, calligraphy and painting. When Zhou died, she returned to a brothel when his wife and concubines threw her out of the home.
Liu often dressed as man, writing poems and discussing current affairs with scholars. She developed close relationships with a number of scholars such as Li Daiwen, Zong Zhengyu and Chen Zilong. She and Chen Zilong became romantically close; yet, when she learned that marriage was not an option he could consider she ended the relationship.
Years later, Liu introduced herself at home of Qian Qianyi, a well-known scholar and retired official, dressed in men’s clothing. Three years after their initial meeting Qian, in his late 50s, chose to disregard social norms and they married. The movie illustrates a close and supportive marriage, the events that occurred during her pregnancy with their daughter, and the struggles they experienced as the rebels entered Beijing and the Qing Dynasty took control.
Liu committed suicided a few months after Qian, 83 years of age, passed away.
Willow feathers fly into dream
Smoky moon brings out sorrow
From the moment I was thrown into the dusty world
I have experienced so many things and met so many people
So many crossroads
So much helplessness
Now I know that we will never understand
All the things happening around
Therefore I spent my whole life
To clean up the dusts my desires collected
Then I can be worry free and back to calmness.
Note: While trying to find published works of Liu Rushi’s poems I learned that she had some of her writings published alongside her husband’s. Yet, my research has not been very fruitful. If you know of any English translations, I would appreciate hearing from you.

reflections… Nikon D750 f/4.5 1/250 45mm 800 ISO
Photography is representational by nature in that the subject(s) within most images depict the real world and usually are easily recognizable; for example, a photograph of tree generally looks very much like a tree.

Ted Forbes notes that abstract photography within the art world is drawn from skills that are different from other forms of art and, “It is something that we are not used to seeing in every day life…When it is done well, it stands out and it’s really exciting. When it is not done well, it is weird.”

Fundamentally, abstract art is a visual form that does not convey a realistic depiction of the world. This departure from reality can be partial or complete; therefore, we are often uncertain about the identification of the subject. Photographs within this genre diverge from a realist depiction of the world through the use of form, color, and lines.

Form is the shape of the elements within the image and is the foundation of an abstract image. When creating abstract photography, ask yourself, “is there an interesting form/shape with this image?”

The variations and contrast of colors within art create interesting images and evoke feelings within the viewer.

Lines within the image directs the viewer’s eye and creates a dynamic image by emphasizing movement.

There are different techniques photographers use to create abstract image: 1) selective focus, 2) light and shadow, 3) lines and textures, 4) blur, 5) zooming, 6) moving the camera or subject, 7) double exposure, and 8) moving in close or standing far away.

I’ve come to understand abstract/non-representational imagery as an absence of the type of discrimination and labeling process that seeks an answer to, “what is that?” to one that invites the viewer to explore, “what feelings does this image evoke?”

Thank you for taking the time to visit my blog and for the exchange of ideas and photographs. I am inspired by the process of viewing and exchanging ideas with other bloggers and am excited about walking through your galleries of abstract/nonrepresentational photographs. I hope you find Ted Forbes’ video interesting.
Clear waters unchanged
in a meadow
I saw once long ago
will you remember
this face of mine?
~Saigyō (B Watson, Poems of a Mountain Home)

Don’t dye it, don’t pull it out,
let it grow all over your head.
No medicine can stop the whiteness,
the blackness won’t last out the fall.
Lay your head on a quiet pillow, hear the cicadas,
idly incline it to watch the waters flow.
The reason we can’t rise to this broader view of life
is because, white hair, you grieve us so!
~Ch’i-chi (864-937) Translation: Burton Watson

Nikon D750 f/7.1 1/320 44mm 100 ISO (neutral density lens)
moss blossoms bloom
in a little crack…
stone Jizo
~Issa (www.haikuguy.com)

Nikon D750 f/1.8 1/800 35mm 100 ISO

Nikon D750 f/1.8 1/10 35mm 100 ISO (neutral density lens)
Every moment that we’re alive in this body, in this human manifestation, we’re emitting energy. This energy can be transformed but it can’t die; it remains in the world forever. … A thought is an action because it already has energy and it has the power to affect things. When we produce a thought of compassion, understanding, and love, that thought has the power to heal our body, our mind, and the world. If we produce a thought of hatred, anger, or despair, that thought has an affect not only on ourselves but on the world; it can destroy us and lead to the obstruction of many other lives.
Suppose a nation produces a collective thought of anger and fear and decides to go to war. The whole country is then producing fear and anger. That collective fear and anger can cause much real destruction and suffering. … The thoughts and feelings we send out to into the world have a powerful effect. Every thought we produce, everything we do and say, is an action. These actions continue forever. They can transform, but like the cloud, they will not disappear. We have to recognize the power of our [actions] and make a firm determination to be mindful of our thoughts, speech, and actions in order to heal ourselves and the Earth.
Thich Nhát Hanh, Love Letter to the Earth

Nikon D750 f/4 1/60s 35mm 100 ISO

Horsetooth Reservoir Nikon D750 f/13 1/100 35mm 100 ISO
This week’s photo study is an exploration of shutter speed. Shutter speed, a basic photographic component, is defined as the amount of time your camera allows light to enter your camera. The variables of a scene being photographed together with the size of aperture and the shutter speed have the potential to create unique images.
A fast shutter speed will freeze moving objects.

Nikon D750 f/5.6 1/2,500 300mm 100 ISO
While fast shutter speeds create crisp and sharp images, slow shutter speeds — open for half a second or longer – extends the length of time light is entering your camera. This light is continuously being influenced by the motion within the scene and thus creating blurry, foggy, silky, or milky elements within an image.

Nikon D750 f/22 1s 35mm 100 ISO

Nikon D750 f/8 241s 24mm 100 ISO
The shutter speed in panning photography can be as low as 1/20 or as fast as 1/125. The trick is to match the speed of the subject with your speed of panning. The inclusion of motion blur within street photography is often created with a high aperture setting, a low as possible ISO, and a low shutter speed.

Nikon D750 f/29 1/6s 75mm 100 ISO

Nikon D750 f/9 1/20s 85mm 320 ISO
The images below are examples of various shutter speeds with the same aperture and ISO settings.

Nikon D750 f/7.1 1/60s 35mm 100 ISO

Nikon D750 f/7.1 1/30s 35mm 100 ISO

Nikon D750 f/7.1 1/20s 35mm 100 ISO
Thank you for taking the time to visit. I hope you enjoy Ted Forbes’ discussion of shutter speed and his nighttime images. Would love to hear your thoughts and see your creative work.
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