reweaving within grieving

the uncertainty within grief’s reweaving memories…

The personal story is a narrative of our unique sense of identity.  We create our identities through the stories we weave onto a tapestry that is formed against the background of our family mythologies. We pull threads from of an assemblage of recalled details from our pasts and weaved them into images that cast us in whatever role corresponds with our current situations, feelings, thoughts, or actions. The colored threads of this tapestry are often re-embroidered to reflect the creative and dynamic process of our perspectives as we shift in, out, and between various roles, feeling states, and cognitions.  As we reflect on our self-created images we are in turn affected by them; therefore, there is an unconscious re-weaving of our tapestries. ~The Meditative Journey with Saldage

lens-artists: abandoned

all are lonely

yet are you much more than any

you who still wait?

Houses, aged and fragile, once stood strong within their newness and sang of home, dreams, hopes, joys. tears, family.

Houses that story homes of past years now silent.

Absent are the sounds of togetherness, of spoken differences, of celebrations, of loss.

Houses, abandoned, speak to our soul, our imagination. They tell of impermanence.

Yet, they seem to be waiting…waiting as they fade.

images and thoughts submitted in response to slow shutter speed’s challenge: abandoned

lens-artists: life’s changes

trailed with clouds

the layered memories

of time forever gone

stands between us now

in this spring dawn

There is an earth-shattering moment that barges into a life, unexpectedly, shifting and tearing apart everything … everything in the heart held to be true. After the denial, disassociation, and numbing begin to ease, there is a knowing that the “before you” has been ripped away and now an “ongoing emerging you” has begun a never-ending search for THE door of clarity and resolution. Within that search life continues. Life with its births and deaths. Life creating pathways of sorrow and joy. Pathways of contemplation created through photography and haiku.

rain falls

memories of lost years

left by a cloud

My mother’s passing in the spring of 2016, expected yet unexpected, occurred during this journey with WordPress. The intention to validate my mother’s life opened a gate of posting 100 days of contemplative photography and haiku to remember, honor, and share the life of a woman, my mom.

meandering tales

beyond a haze of tear drops

my mother’s face – mine.

Memories of my mom often come to visit…they are remembered moments that announce her arrival, not as the frail woman with a fierce determination that time had transformed formed but the woman who carried with her the stature of Danish Vikings…warriors, explorers, conquerors, survivors.

morning haze

jewels of rain, falling

in a dream

In our next spring

let’s meet as butterflies

afield

Though we are parted,

If on Casper Mountain Peak

I should honor the sound

of the pine trees swaying there –

with the summer breeze.

After my mother’s memories fade and life’s present moments come into focus I often wonder … if we had met – not as mother-daughter – but as children in a playground would she have wanted to be my friend? I know she would have been my bestest of friends.

Thank you Anne (Slow Shutter Speed) for the invitation to share what has “enriched and/or changed” my life.

awakened memories

chasing memories

awakened by spring’s breezes

melting icicles

“Outside my window the world is dove gray…a late spring snow … powdered snow covering tree branches like the powdered sugar she sprinkled on the top of one layered cakes.  

The silence of snow gently interrupted, ‘Why was I sent to that school with Donna?’  Donna, her first born.  A black and white framed photograph reminds me of the softness of her permanent like curls crowning her head and the same unabashed joy of our mother…our mother before she was our mother.  The photograph belies her strawberry blond curls…golden tipped curls.  

‘“So she would not be alone.’  Alone…the same aloneness that accompanied her during those years she was separated from her family…sent away to school?  

“Me, the second born…given a purpose at birth, A playmate… a barrier, a protector against being alone.  

“There were those nights when darkness became like a blanket that settled the house into a quiet silence.  A silence that opens a door to a private passage to a realm where thoughts and images become ethereal and reality is colored by the imaginings of self free to roam.  And then…unexpectedly, consciousness shifts to a gentle voice, “ring ring” responded to with, “hello.”  Uninterrupted exchanges between sisters, separated by darkness—confiding, sharing, questioning—creating private night time stories lulling us into sleep.  

“My mother’s grief  … her felt emptiness … her loss of her first born child and first born grandson…together in one grave…not alone. Her emptiness hidden within a Sanskrit word, Vilomah…against the natural order…a parent whose child has died.  A Vilomah who, in later years, would also be a parent whose two sons had died.”*

*cited: b c kofford, My Mother came to Visit

blogjanuary: earliest memory

The personal story is a narrative of our unique sense of identity.  We create our identities through the stories we weave onto a tapestry that is formed against the background of our family mythologies.

We pull threads from of an assemblage of recalled details from our pasts and weave them into images that cast us in whatever role corresponds with our current situations, feelings, thoughts, or actions. The colored threads of this tapestry are often re-embroidered to reflect the creative and dynamic process of our perspectives as we shift in, out, and between various roles, feeling states, and cognitions.  As we reflect on our self-created images we are in turn affected by them; therefore, there is an unconscious re-weaving of our tapestries.

Excerpt: Koeford, B., A Meditative Journey with Saldage

a cry in the night

A repeating dream born of a yearning for solace. No, not really a dream.  More a nightmare of a different sort where the sudden appearance of a dial phone transforms me into a relentless pursuer.  A series of events, where I stumble over one into another, the phone line is silent; “this number is no longer in service;”  I can’t recall the number as I dial; a nearby phone book opens up to blank pages; I have no coins; my mind goes blank when I pick up the receiver.  Failure becomes an enemy which I fight, again and again, until waking releases me.

Are these incessant-themed dreams a telling of memories when the house settled into night?  Those moments of private passage where thoughts and images become ethereal and reality is colored by deep silence and blinding darkness?  And then…unexpectedly consciousness responds to a gentle, “ring ring” with, “hello.”  Uninterrupted exchanges between sisters, separated by darkness—confiding, sharing, questioning—creating our night time stories and lulling us into sleep?

Within a family of deafness, it was you—the eldest—who heard my night cries…my first spoken words.  And in exchange, it was I who acknowledged you as I heard your voice especially within the stilled silence of night. 

Are these dreams an attempt to reconnect with childhood moments of friendship, of sisterhood, of validation?  Or, an obsessive voice calling for another in the darkness of despair?   A child’s soul—voiceless—hidden within the darkness of absolute silence decrying the definite disconnection by death?  

Within this day of remembrance, I wish to know that my prayers pierced death’s barrier and you hear my deep gratitude for the solace you nourished within our childhood as well as my hope that these foundations of our sisterhood that have intertwined within the passage of time will awaken to a renewed togetherness.

Photography Lesson 14 — Revisited

orignial raw image

Raj’s xdrive photography lesson lesson for November explored 10 edits that photographers should know about prior to publishing images.   My initial submission was of a family walking on a bike path during the golden hour.

nov-photo-lesson-1

Nikon D750   f/7.1   1/160 s   35 mm   400 ISO

Taking a few minutes to review this image in response to Raj’s feedback, I found that it is a bit of a challenge for me to notice the tilting due to 1) the curvature of the pathway as it moves my eyes to the background and 2) the presence of the trees hinders a clear view of the horizon.

In the markup below, my initial horizontal adjustment was the rooftop of the building in the background.  Raj noted in his feedback, “we can’t rely on anything man-made as it all depends on the orientation of these things.”   The areas I have circled were noted as over and underexposed by Capture One’s high exposure warning.

nov-photo-lesson-1redo2

raw image with markup

adjusted image

nov-photo-lesson-2redo

first edited image with markup

Raj noted that the image stilled seemed a bit tilted in the image above.  He also noted that the edited image is “kind of overexposed” and recommended that I “carefully check woman’s jacket, it looks kind of overexposed.”  Also my editing seemed need a bit more saturation.

The image below was cropped with Raj’s recommendation in mind and I find it to be more focused upon the family dynamics.   It also brings attention to Raj’s observation regarding the closeness of mother and daughter in comparison to the actions of the two boys.   I also did not attempt to lighten the shadow element of the boys as I wanted the image to be about the family.

While the image below seems to address the overexposure Raj noted in the above image, I’m still struggling with this as the histogram (within both Capture One and Photoshop) as well as the Capture One exposure warning does not indicate an overexposure.  So do I rely too much on technological guidelines over my vision?

It took me several tries to address the titling…sigh…

In regards to saturation, could the specifications of computer design as well as color calibration variances result in visual differences between what I see–or think I see–on my computer and what other bloggers see?  If so, is there a way to address this?   Also, I found that I needed to be very careful in regards to saturation as the image tended towards having a yellowish sheen.

All in all I the second edit does seem to be better.

nov-photo-lesson-3-5

second edit

monochrome images

nov-photo-lesson-3aredo

first monochrome image with markup

When I compare the above initial monochrome image with the one below, I’m able to more easily see areas that may be a bit overexposed.  The woman’s jacket has a burned appearance.  The detail in the woman’s jacket below offers a bit of resolution to my question above regarding overexposure…it’s about the detail in the woman’s jacket and the girl’s top.

Since the young boy looking towards the camera suggests a message of interaction, I find that I prefer the lightening in the above image when compared to the one below.

nov-photo-lesson-3-6

second edit

Again, I wish to express my gratitude to Raj and to all those wonderful bloggers who stop by and visit.

This ain’t right!

The church of my childhood and of my mother, her mother, and my grandmother’s mother taught me that the body, the family, and the church were sacred and thus any choice I made in my life was to be drawn upon that guiding principle.

My choice to participate in this past election came after hearing how Trump used social media to shame women…and now to hear that the Mormon Tabernacle Choir will be performing at Trump’s inauguration brings my soul into a deeper disbelief that began on the darkest of dark nights…election night.

So…I have given my voice to “this isn’t right.” I may have to find some kind of resolution for the next four years, but I will not accept the church’s celebration of human negation and shame.  If your beliefs are similar to mine, please sign the petition at change.org.

https://www.change.org/p/the-church-of-jesus-christ-of-latter-day-saints-mormon-tabernacle-choir-should-not-perform-at-trump-inauguration?recruiter=20691342&utm_source=share_petition&utm_medium=copylink

Thank you.  My daughter, granddaughter, and soon to be great granddaughter also thank you for validating the right of all human beings to be respected and honored.

100 days…100th day

…the scent of mothballs signals the opening of a small steamboat trunk entrusted with long-forgotten memorabilia. Carefully placed upon a layer of women’s 1930 era clothing are three stacks of yellow ribbon-tied envelopes. Within each are hand-written letters reminiscent of second grade penmanship inquiring, “Dear Mother, how are you? Fine I hope.” brendamilyOn the left side is a stationery box filled with certificates of marriage, birth, baptism, and death intermingled with a child’s brilliantly colored drawings.

Beneath the box is a small silk sachet holding a solitary diamond engagement ring and an ivory locket. At the bottom of the trunk, children’s books and wooden blocks with carved letters surround a miniature wooden rocking chair and a one-button eyed velvety-patched teddy bear. I become distracted from the remaining contents as black and white photograph images softly held within the folds of a woman’s garnet silk dress glide in the air and scatter on the floor.
The photographic images are a visual memoir of a young family where trust once allowed two young sisters to roam free throughout a field of tall, yellowed grass. “How many dad3-copydays,” my questioning mind wonders, “how many days were left before the decline of my father’s health shifted the lights of a colorful present into the gray-shaded time of waiting?” Within this stillness of waiting, memory tells of a young child seeking solace through repetitive rocking behaviors and of a father’s fragile heart enduring a turbulent wait for a donated aorta.

I hear compassion speak to my heart and I begin to feel how my father intuitively knew of my inner turmoil and of the tranquil stillness within rhythmic repetition. His gift of a rocking chair tells me some fifty years after his death of the multiple emotional and physical sufferings within his suffering, the interconnectedness of the suffering within the family, and of his wish to ease our suffering.

As the fabric of the dress glides between my fingertips, the shadow of grief that holds the memories of my son emerges from a compartment hidden within the trunk. An old fear dustin20awakens as the image of grief’s blackened shadow looms over me with its death-filled abyss of intermingled condemnation, uncertainty, and emptiness. I feel the void that will consume me if I were to release the eternal care of my son to its embrace. I come to know that I hold no trust  that within death is compassionate loving-kindness. Awareness arises to tell me that as I run from grief with the anguish of powerlessness to protect the heart of my soul, like an addict running from her addiction, grief becomes even more insidious. In this undifferentiated chaos of anguish, fear, and mistrust there is hope [larger than a mustard seed] which seeks for the magical garment when donned will transform me into the Great Mother. It is childhood faith that clings to the belief that as God witnesses this transformation, absolution and reconciliation would simultaneously subdue this impenetrable monster and return my son, whole with the spirit of life, to…*

 

*cited:

A Mediative Journey with Saldage

B Catherine Koeford

 

Weekly Photo Challenge: kiss

Kiss. There are a lot of ways to capture a kiss, between two people – lovers, family, friends; two animals, or even just the sending or receiving of a kiss. I captured this kiss between two storks in Morocco. I felt lucky to have captured this moment.

In a new post specifically created for this challenge, share a picture which means KISS to you!

kiss