one four challenge…week 4

This is the fourth of four editing challenges for Leanne and Joanne’s invitation to choose one image and then for four weeks share one edited change to that image. “You can do whatever you like with it, just do something different each week.”

Often times there is a stuck-ness that keeps me glued to a problem/challenge until a solution releases me … this fourth of four challenges has freed me from stuck-ness. This liberation has me dancing in the street – this wondrous misty-chilly morning!

A while back I found that Photoshop’s upgrades messaged that my computer had become ancient with a nonverbal suggestion that I either consider a new computer or explore alternative software editing programs. Enter Pixelmator Pro.

This fourth image invited me to explore Pixelmator Pro’s scale shape horizontally and vertically as well as the auto crop. Then I played around with the hue and saturation’s vibrance and then ended this editing challenge with color selection,

Fujifilm X-T4: f/4.5 1/900 s 80 mm 400 ISO

I hope you enjoyed this editing journey.

one four challenge…week 3

This is the third of four editing challenges for Leanne and Joanne’s invitation to choose one image and then for four weeks share one edited change to that image. “You can do whatever you like with it, just do something different each week.”

For awhile I found myself in a puzzle … how to create this image into something different? After a number of false starts I decided to insert a moon into the center with Snapseed’s double exposure and then to edit with their expand option. A unique image, I must say!

Fujifilm X-T4: f/4.5 1/900 s 80 mm 400 ISO

one four challenge…week 2

My second image for Leanne and Joanne’s invitation to choose one image and then for four weeks share one edited change to that image. “You can do whatever you like with it, just do something different each week.”

This week the editing began with cropping the image which brought the center of the flower to be the main focus area. I then finished in Silver Efex Pro 2.

My first edit was to crop the image and then explore structure, brightened mid tones, and chose golden bright in color balance. I slightly brought out the shadow within the center. I ended with vignetting.

Fujifilm X-T4: f/4.5 1/900 s 80 mm 400 ISO

one four challenge…week 1

My first image for Leanne and Joanne’s invitation to choose one image and then for four weeks share one edited changes to that image. “You can do whatever you like with it, just do something different each week.”

The photo below is my initial image that was auto adjusted within Capture One…white balance, exposure, contrast and brightness, high dynamic range, and levels. I cannot recall which of Fujifilm’s film simulations that was used during this photo walk.

Fujifilm X-T4: f/4.5 1/900 s 80 mm 400 ISO

My first edit was to crop the image and then explore structure, brightened mid tones, and chose golden bright in color balance. I slightly brought out the shadow within the center. I ended with vignetting.

I think I was much more creative during the time of Robyn’s challenge. Maybe over time this will change.

If memory serves, there was also a similar challenge that ended in 2016. This discussion brings to mind a quote I once heard, “no matter how much things change, they still remain the same.”

thursday morning with pascal mercier

Encounters between people, it often seems to me, are like crossings of racing trains at breakneck speed in the deepest night.

We cast fleeting, rushed looks at the others sitting behind dull glass in dim light, who disappear from our field of vision as soon as we barely have time to perceive them. Was it really a man and a woman who flitted by there like plantoms in an illuminated window frame, who arose out of nothing and seemed to cut into the empty dark, without meaning or purpose? ~ Pascal Mercier, Night Train to Lisbon, pg. 94

Fujifilm X-T4: f/4 1/1400 s 78.1 mm 640 ISO

saturday morning with alan lightman

Fujifilm X-T4 f/5.6 1/60 s 60.8 mm 800 ISO

“In a world where time is a sense, like sight or like taste, sequence of episodes may be quick or may be slow, dim or intense, salty or sweet, causal or without cause, orderly or random, depending on the prior history of the viewer. Philosophers sit in cafés on Amthausgasse and argue whether time really exists outside human perception. Who can say if an event happens fast or slow, causally or without cause, in the past or future? Who can say if events happen at all? The philosophers sit with half-opened eyes and compare their aesthetics of time.

Fujifilm X-T4 f/5.6 1/60 s 46.6 mm 800 ISO

Some few people are born without any sene of time. As consequence, their sense of place becomes heightened to excruciating degree. They lie in tall grass and are questioned by poets and painters from all over the world. These time-deaf are beseeched to describe the precise placement of trees in the spring, the shape of snow on the Alps, the angle of sun on a couch, the position of rivers, the location of moss, the pattern of birds in flock. Yet the time-deaf are unable to speak what they know. For speech needs a sequence of words, spoken in time.”*

*cited: Alan Lightman, Einstein’s Dreams