fujifilm X-T4

monday morning with pascal mercier

He often complained in his last year that he didn’t understand what it really consisted of, the loneliness we all feared so much.

Fujifilm X-T4: f/4 1/75 s 60.8 mm 400 ISO

What is it that we call loneliness, he said, it can’t simply be the absence of others, you can be alone and not lonely, and you can be among people and yet be lonely. So what is it? … All right, he said, it isn’t only that others are there, that they fill up the space next to us. But even when they celebrate us or give advice in a friendly conversation, clever, sensitive advice: even then we can be lonely. So loneliness is not something simply connected with the presence of others or with what they do. Then what” What on earth? (cited: Night Train to Lisbon, p 319.)

saturday morning with pascal mercier

“”We live here and now, everything before and in other places is past, mostly forgotten and accessible as a small remnant disordered slivers of memory that light up in rhapsodic contingency and die out again.

Fujifilm X-T4: f/9 1/10 s 80 mm 400 ISO

“This is how we are used to thinking about ourselves. And this is the natural way of thinking, when it is others we look at: they really do stand before us here and now, no other place and no other time, and how should their relationship to the past be thought of if not in the form of internal episodes of memory, whose exclusive reality is in the present of their happing?” Pascal Mercier, Night Train to Lisbon, pp, 241-242

a moment in reflections

Words written within ancient history seem to be a timeless knitting of souls as they flow through time.

Fujifilm X-T4: f/8 1/250 s 60 mm 640 ISO

I imagine poets of old listening to how their translated words resonate today and then chuckle at words defining lives unknown. Oh…unheard whisperings of ancients.

lens-artists: bringing softness

The above autumn image was a raw photograph created in Fujifilm X-T4 with a film simulation recipe, Retro Red.*

Within Capture One 23, I did a bit of light and shadow adjustment, cropped and removed some leaves, and set clarity at 2.

The image on the left was further edited with a Capture One preset, DF-03-Arapaho (bright).

I then hopped over to Color Efex 4 Pro and added a glamour glow layer to create a light softness to the image.

This week Bren invites photographers to explore editing softness into their creative work. I hope you enjoy.

*FujiXWeekly app