lens-artists: last chance

This week artists Tina (Travels and Trifles) invites artists to share “those images you’ve loved over the past 12 months, but have not yet shared.”

Reviewing photographs created over the year confirmed that the majority of images posted on WordPress were part of a skyscape project, Dawning … beginning anew.

Each image within the photo book Dawning … beginning anew is a telling of the sun’s seasonal movements along the eastern horizon and the circular messages of spring, summer, autumn, and winter. The most dynamic is the ongoing changes, moment-to-moment … the multiple variables that paint the sky’s canvas.

So with this in mind, I decided to share the healing moments within the circular process of grief’s darkness to a renewal of life found within each dawn’s first light to its sun rise on this day … Winter Solstice.

The images above begin with the transition from today’s first light to dawn and then the beginning of winter solstice.

Winter Solstice messages the triumph of light over darkness, tells of the gradual return of longer days and stories the promise of renewed life.

For me the cherished moments … the aweness within the art of photography is seeing the world through a camera’s lens and hearing the click of the shutter. The rest is just a delightful dance with possibilities and a constant reminder, “you can’t make a bad photograph good, but you can make a good photograph bad.”

May your holiday be filled with the gifts of freedom within peace, joy, and love.

brenda

reweaving within grieving

the uncertainty within grief’s reweaving memories…

The personal story is a narrative of our unique sense of identity.  We create our identities through the stories we weave onto a tapestry that is formed against the background of our family mythologies. We pull threads from of an assemblage of recalled details from our pasts and weaved them into images that cast us in whatever role corresponds with our current situations, feelings, thoughts, or actions. The colored threads of this tapestry are often re-embroidered to reflect the creative and dynamic process of our perspectives as we shift in, out, and between various roles, feeling states, and cognitions.  As we reflect on our self-created images we are in turn affected by them; therefore, there is an unconscious re-weaving of our tapestries. ~The Meditative Journey with Saldage

lens-artists: portraits

Ritva has invited photographers “to capture the essence and personality of your subjects. Whether you choose to ask a stranger, do a self-portrait, take the portrait of a friend, family member, or acquaintance, or photograph animals and birds, the goal is to connect with another person or subject and tell their story through your image.”

This past year has engulfed my family into intense grief with the passing of my husband and son-in-law. Both these two men, the bedrocks of the family, endured intense suffering and left us with a deeper understanding of acceptance, compassion, and suffering. There is also gratitude … gratitude for the grounding companionship of emergency response teams, doctors, nurses, support staff, military personnel.

Over the past year, the beauty of the dawn has been a source of encouragement to begin each day anew. An important part of welcoming each new day … its challenges and unknowns … has been photography.

Thank you Rita for this challenge as it invited me to spend a few minutes to play as I explored new ways to perceive life.

lens-artists: life’s changes

trailed with clouds

the layered memories

of time forever gone

stands between us now

in this spring dawn

There is an earth-shattering moment that barges into a life, unexpectedly, shifting and tearing apart everything … everything in the heart held to be true. After the denial, disassociation, and numbing begin to ease, there is a knowing that the “before you” has been ripped away and now an “ongoing emerging you” has begun a never-ending search for THE door of clarity and resolution. Within that search life continues. Life with its births and deaths. Life creating pathways of sorrow and joy. Pathways of contemplation created through photography and haiku.

rain falls

memories of lost years

left by a cloud

My mother’s passing in the spring of 2016, expected yet unexpected, occurred during this journey with WordPress. The intention to validate my mother’s life opened a gate of posting 100 days of contemplative photography and haiku to remember, honor, and share the life of a woman, my mom.

meandering tales

beyond a haze of tear drops

my mother’s face – mine.

Memories of my mom often come to visit…they are remembered moments that announce her arrival, not as the frail woman with a fierce determination that time had transformed formed but the woman who carried with her the stature of Danish Vikings…warriors, explorers, conquerors, survivors.

morning haze

jewels of rain, falling

in a dream

In our next spring

let’s meet as butterflies

afield

Though we are parted,

If on Casper Mountain Peak

I should honor the sound

of the pine trees swaying there –

with the summer breeze.

After my mother’s memories fade and life’s present moments come into focus I often wonder … if we had met – not as mother-daughter – but as children in a playground would she have wanted to be my friend? I know she would have been my bestest of friends.

Thank you Anne (Slow Shutter Speed) for the invitation to share what has “enriched and/or changed” my life.

celebrating your win…

Within the stillness of those far away ….

far away from the roaring fires ….

far away from the tears of loss …

far away from an uncertain future …

far away from life in ashes …

far away from grief and loss …

Within the pondering of the why …

an absence of compassion?

unaffected by the loss of others?

time to point criticizing fingers?

tossing their millions here: millions there?

to party onwards?

celebrating their win?

while others grieve their loss

within the deafening roaring fires?

life’s passages … 95

May I find the Equanimity that will lift a veil of shamed despair and acquaint me to the perceived and perceiver absent of greed, anger, and ignorance.

 

wyominglandscape-8web

This journey with saldage has brought me to a place and time in which to unweave and sort through the pseudo-beliefs I have simply, without question, absorbed through the lens of childhood fantasy and comprehension.  To begin this process is to reformulate beliefs through a process of mindfulness and analysis and then to know for myself, “These things are bad, blamable, censured by the wise; undertaken and observed, these things lead to harm and ill… These things are good, blameless, praised by the wise… These things lead to benefit and happiness.”

It is not an easy undertaking to not simply believe what has been learned within family, school and church as well as conclusions reached through readings. The invitation to not simply follow tradition brings to the surface conflicts with compliance and opposition that come from an avalanche of values and guiding principles that outlines how I understand the roles and expectations of women.

To not adhere to that which was surmised within family stories about an ancestor, who upon seeing a swarm of locust “knelt in his patch of grain and pleaded with his Maker to spare his wheat” and then saw them divide and not damage his remaining crops. Or within the story about the ancestor, who during a trip from New York to England, calmed the seas with a prayer, and while in England, after much fasting and prayer administered to a deaf and dumb boy who was subsequently healed. To not simply believe opens a door of pondering about generations of family members who intimately knew powerlessness and insecurity, who eased their feelings of incompetence through prayer, and whose conceptions blinded them to their neighbors’ plight.

wyominglandscape-6a-web

 

To not simply believe that I must endure suffering is to reject the axiom that there is an absence of fundamental faith and goodness. To not adhere to the assumed abilities of ancestors frees me from the belief that a sincere act of making amends for my sins will open the doors to Shangri-La.  To not simply draw upon scripture unbinds me to the shame that I don’t have the faith – even of the size of a mustard seed – to be deeded as “good and without sin” so what I wish for, even that which goes counter to nature’s laws, will be granted.  To ease the suffering within discontent is to not simply hold to be true that I am to acquiesce to pain until the final judgment of death, and only then will I be forever at peace, or forever condemned to an existence of even greater suffering.

To not simply believe opens my ears to the incongruence within a belief in an all-knowing presence who, if not validated, punishes, absent of the grace within loving-kindness.  To not simply believe brings a compassionate acknowledgment to the painful efforts to sway God into granting me my desires through bargaining, sacrifice, negation, and suffering, and to finally surrender with acceptance to “Thy will be done on earth as it is in heaven.”  To not simply believe sheds light upon the greed, aversion, and delusions that are intertwined into my conception of and relationship with life.

I do hold that my beliefs and the subsequent desire for their illusive promises of validation, forgiveness, or reunification have set me upon an unending path of suffering.  These beliefs lead to harm and ill as they are like thorns that tear into my heart.  This searing pain releases resentment intertwined with envy, awakens alienation, and denies me the essence of Christ’s wisdom and loving compassion.

wyominglandscape-7web

Christ stood before self-righteous anger and commanded that only the one without sin was to cast the first stone of punishment and, at another time and in the midst of his own suffering, sought forgiveness for those who “know not what they do.”   Within these written words, I hear compassion speaking for the suffering intertwined within anger ungoverned by moral shame and moral dread.  Compassion is telling us how suffering, entangled into knots of mental, emotional, and social turmoil, deafens us to our guiding principles and blinds us to the horrors our moral shame will witness as it awakens from darkened ignorance.

 

The practice of the presence of God as being comparable to that of consciousness finally makes possible “full awareness” applied to every thought, world, and deed.   ~ Unknown

Excerpts from B Koeford, A Meditative Journey with Saldage

life’s passages … 81

Death of a loved one disturbs the relationships that sustain a person’s sense of ‘identity’ and the high level of binding and cathexis concentrated on the person who is lost is suddenly disrupted . . . there is a close link between the doctrines of egolessness and suffering.

De Silva, Padmasiri. An Introduction to Buddhist Psychology. Landam, MD, 2000.
Poudre Canyon… f/7.1 1/200s 28mm 4500 ISO

Through this lens of Buddhist thought, I begin to feel a crumbling of a child’s self with an understanding of how my father’s absolute and final absence from our lives disrupted the multiple relationships between my father, mother, sister, and me.  Besides the sudden severing of the identity I was forming via my father, the connecting emotional threads between those of us that were left, although still intact, were unknowingly stretched and pulled by our own individual fears of egolessness.

My father’s death left my mother, a young woman deaf from infancy, with two daughters and pregnant with her first son.  I do not recall whose idea it was to wander outside the house early that morning as my mother slept.  I can, however, imagine my young self following my older sister as if an invisible thread that tied us together tugged me along as she, with her five-year-old world view, undertook an emotional duty to find our father.  Did we believe we could find him fly fishing in the creek that ran alongside the house? Or was there something about the water that enticed us into abandoning our search?  I can recall to this day the cessation of anxiety and arising rapture that coincided with my surrender to the inevitable. Two young men, I am told, rescued us both from this search for our father.

Koeford, BC. A Meditative Journey with Saldage Homesickness for a place, a time, a person that cannot be

life’s passages … 79

To be human was to be a sentient being who remembers.*

“The third-century classic Jinshu summarized the paradox of memory: ‘Qing you yi sheng, bu yi ze wu qing.’ No words in English can capture the condensed reservations expressed in nine simple characters. The first four summarize ancient psychology: emotion is born out of remembrance. The next five advise the wise to stem this process of arousal altogether: where there is no remembrance, emotion will dissolve as well. The point, simply put, is that distress causes memory. To be sure, it is human to have feelings, but this can be curbed by a willful quieting of the emotional upheaval caused by remembrance.

“Simcha, the Hebrew word for ‘joy,’ has as its root macha, meaning ‘to remove’ or ‘wipe away.’ To be joyful, in this sense, is to be free of the tearful weight of the past.

“In the end, however, neither Chinese or Jewish rememberers settled for the peace of a memoryless world.

“The opposite of quietude can be found in the story of Lot’s wife… Here, a woman who refuses to walk away from history is turned into salt–a concrete symbol of endless weeping. Lot’s wife captures the need to remain connected to the past and dares to stand still when the known world is about to crumble. Although some might argue that Lot’s wife looked back with nostalgic regret for past pleasures, Anna Akhmatova, in the poem, ‘Lot’s Wife,’ suggest she did so out of her refusal to become deaf to the grief embedded in the past.”*

*Vera Schwarcz, Bridge Across Broken Time

life’s passages … 77

“For remembrance of her I wanted to write about her,”… but I stopped short with the words, “Ink seems to have frozen up, I cannot write any more.” *

How shall I gather memories of my sister?

The stream of letters is congealed. 

No comfort may be found in icicles 

  ~The Sarashina Diary (Diaries of Court Ladies of Old Japan)

Nikon D750 f/4.5 1/400 58mm

*The continuous writing of the cursive Japanese characters is often compared to a meandering river. “Ink seems to have frozen up” means that her eyes are dim with tears, and no more she can write continuously and flowingly.