Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.

Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.

this aged soul wonders,
as you wander through my dreams,
would I be in yours?

Fujifilm X-T4: f/16 . 1/1000 s . 80 mm . -1.7 ev . 640 ISO

As the winter winds travel across Wyoming’s landscape
the swirling snow releases its memories of you, lost …
somewhere… on Casper Mountain.
Its frigid touch awakens me to your
aloneness – in that wilderness of blinding snow
cries – deafened by the river of winds,
calling – out in hope for
a human form – to emerge out of the whiteness
the warmth – of a human hand
the sound – of a voice, comforting you
accompanying – you home.
As I become hostage to this winter’s swirling thoughts
the river winds tear into my soul
releasing tears arising from
the darkness of grief’s aloneness, seeking
a knowing to emerge out of ignorance’s darkness
you found – peace
within – a loving presence
embracing – you
accompanying – you home.
Lawrence John Anderson, January 11, 1957 – January 20, 1980
“As the ink flows onto the page,
each word creating and tumbling into another,
she wonders aloud to no one in particular,

‘are these sleeping memories
left in the shadows of grief …
writing on and on
this tale and that …
moving my pen across the page ...
as if a bridge to yesterday?'”
“The morning chill came through an open window. The morning had begun its transformation from black to variations of dark blues to lighter hues outlining night’s black shadows. It had just passed…the morning ritual. The magical moment of silence in which all of the world – right before the sun’s rays lightens the sky – seems to hush in stillness.

Then in the distance one songbird followed by another as if a congregation’s ‘Amen.’
My mother came to visit. I may have called her as I, with a cup of steaming tea, looked up at the antique framed cross stitch hanging on the dining room wall.
It was during one of those rare visits to her home in which she shared a beautiful piece of counted cross stitch. I saw the delight in her face as she told me it was a gift…a gift of gratitude to someone unknown to me…a stranger. Aged jealously rose unbidden and formed a barrier between mother and daughter.
Within that moment, forgotten…a white tablecloth, each corner embroidered…a crocheted lap blanket…a crocheted dolly sewed onto a pillow cover…applique images within a child’s alphabet book.
And then. ‘Would you like me to make you one?’
‘Yes! Oh yes! Please let me frame it.’
Within an antique framed cross stitch…a magical moment. An exchange of love and validation
Excerpt from, bc kofford, “My Mother Came to Visit”
summer will soon
wander
between wild flowers



in our next lives
let’s meet as butterflies
afield
Images submitted in response to Becky’s (The Life of B) walking squares.

As the ink flows onto the page,
each word creating and tumbling into another,
she wonders aloud to no one in particular,
“are these sleeping memories
left in the shadows of grief …
a past writing on and on
this tale and that …
moving my pen across the page …
as if a bridge to yesterday?”

my face – my mother’s
lingering scent of sweet peas
mirrored reunion.
meandering tales
beyond a haze of tear drops
my mother’s face – mine.
faded looking glass
a cup or two of coffee,
“Let’s linger a bit.”

As the winter winds travel across Wyoming’s landscape
the swirling snow releases its memories of you, lost …
somewhere… on Casper Mountain.
Its frigid touch awakens me to your
aloneness – in that wilderness of blinding snow
cries – deafened by the river of winds,
calling – out in hope for
a human form – to emerge out of the whiteness
the warmth – of a human hand
the sound – of a voice, comforting you
accompanying – you home.
As I become hostage to this winter’s swirling thoughts
the river winds tear into my soul
releasing tears arising from
the darkness of grief’s aloneness, seeking
a knowing to emerge out of ignorance’s darkness
you found – peace
within – a loving presence
embracing – you
accompanying – you home.
Lawrence John Anderson, January 11, 1957 – January 20, 1980
…the scent of mothballs signals the opening of a small steamboat trunk entrusted with long-forgotten memorabilia. Carefully placed upon a layer of women’s 1930 era clothing are three stacks of yellow ribbon-tied envelopes. Within each are hand-written letters reminiscent of second grade penmanship inquiring, “Dear Mother, how are you? Fine I hope.”
On the left side is a stationery box filled with certificates of marriage, birth, baptism, and death intermingled with a child’s brilliantly colored drawings.
Beneath the box is a small silk sachet holding a solitary diamond engagement ring and an ivory locket. At the bottom of the trunk, children’s books and wooden blocks with carved letters surround a miniature wooden rocking chair and a one-button eyed velvety-patched teddy bear. I become distracted from the remaining contents as black and white photograph images softly held within the folds of a woman’s garnet silk dress glide in the air and scatter on the floor.
The photographic images are a visual memoir of a young family where trust once allowed two young sisters to roam free throughout a field of tall, yellowed grass. “How many days,” my questioning mind wonders, “how many days were left before the decline of my father’s health shifted the lights of a colorful present into the gray-shaded time of waiting?” Within this stillness of waiting, memory tells of a young child seeking solace through repetitive rocking behaviors and of a father’s fragile heart enduring a turbulent wait for a donated aorta.
I hear compassion speak to my heart and I begin to feel how my father intuitively knew of my inner turmoil and of the tranquil stillness within rhythmic repetition. His gift of a rocking chair tells me some fifty years after his death of the multiple emotional and physical sufferings within his suffering, the interconnectedness of the suffering within the family, and of his wish to ease our suffering.
As the fabric of the dress glides between my fingertips, the shadow of grief that holds the memories of my son emerges from a compartment hidden within the trunk. An old fear
awakens as the image of grief’s blackened shadow looms over me with its death-filled abyss of intermingled condemnation, uncertainty, and emptiness. I feel the void that will consume me if I were to release the eternal care of my son to its embrace. I come to know that I hold no trust that within death is compassionate loving-kindness. Awareness arises to tell me that as I run from grief with the anguish of powerlessness to protect the heart of my soul, like an addict running from her addiction, grief becomes even more insidious. In this undifferentiated chaos of anguish, fear, and mistrust there is hope [larger than a mustard seed] which seeks for the magical garment when donned will transform me into the Great Mother. It is childhood faith that clings to the belief that as God witnesses this transformation, absolution and reconciliation would simultaneously subdue this impenetrable monster and return my son, whole with the spirit of life, to…*
cited: B Koeford, A Mediative Journey with Saldage
amid dewdrops
of this dewdrop world
a shoe lost

it’s a dewdrop world
surely it is…
yes…but
~Issa (cited: haikuguy.com)

trailed of clouds
the layered memories
of time forever gone
stands between us now
within dewdrops of autumn

Initially posted on October 9, 2019

“At the threshold of stillness within silence, the scent of mothballs signals the opening of a small steamboat trunk entrusted with long-forgotten memorabilia. Carefully placed upon a layer of women’s 1930 era clothing are three stacks of yellow ribbon-tied envelopes. Within each are hand-written letters reminiscent of second grade penmanship inquiring, “Dear Mother, how are you? Fine I hope.” On the left side is a stationery box filled with certificates of marriage, birth, baptism, and death intermingled with a child’s brilliantly colored drawings. Beneath the box is a small silk sachet holding a solitary diamond engagement ring and an ivory locket. At the bottom of the trunk, children’s books and wooden blocks with carved letters surround a miniature wooden rocking chair and a one-button eyed velvety-patched teddy bear. I become distracted from the remaining contents as black and white photograph images softly held within the folds of a woman’s garnet silk dress glide in the air and scatter on the floor.
“The photographic images are a visual memoir of a young family where trust once allowed two young sisters to roam free throughout a field of tall, yellowed grass. ‘How many days,’ my questioning mind wonders, ‘how many days were left before the decline of my father’s health shifted the lights of a colorful present into the gray-shaded time of waiting?’ Within this stillness of waiting, memory tells of a young child seeking solace through repetitive rocking behaviors and of a father’s fragile heart enduring a turbulent wait for a donated aorta.
I hear compassion speak to my heart and I begin to feel how my father intuitively knew of my inner turmoil and of the tranquil stillness within rhythmic repetition. His gift of a rocking chair tells me some fifty years after his death of the multiple emotional and physical sufferings within his suffering, the interconnectedness of the suffering within the family, and of his wish to ease our suffering.” …
~B C Koeford, A Meditative Journey with Saldage
amid dewdrops
of this dewdrop world
a shoe lost

it’s a dewdrop world
surely it is…
yes…but
~Issa (cited: haikuguy.com)

trailed of clouds
the layered memories
of time forever gone
stands between us now
within dewdrops of autumn

Abel Korzeniowski…”Going Somewhere”
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