

looking back … looking forward


looking down … looking up


sitting … walking


emerging … emergent
Images posted in response to Tina’s (Travels and Trifles) invitation to share opposites.


looking back … looking forward


looking down … looking up


sitting … walking


emerging … emergent
Images posted in response to Tina’s (Travels and Trifles) invitation to share opposites.
Though the waterfall
Ceased its flowing long ago,
And its sound is stilled,
Yet, in name it ever flows,
And in fame may yet be heard. ~ Fujiwara no Kinto
Patti invited bloggers to explore the movement of objects or people. Since it is a bit too hot this weekend to go on a photo walkabout, I wandered through some old files. I hope you enjoy.




There is a unique joy within those moments when something flashes with an invitation to pause, to become acquainted, to compose, and to whisper, “Please remain as such while I set up my camera.”
To engage with what is as it is in the moment…one definition of contemplative photography.

Fujifilm X-T4 f/4 1/10s 120mm 160 ISO, editing Snapseed
A. Karr and M. Wood (The Practice of Contemplative Photography) notes that contemplative photography begins with “the flash of perception.”
In the flash of perception…there is a space for things to come to you. Experience is definite, because there is no doubt about what you are seeing… Whatever it is, it is here, and there is no doubt involved, no shakiness. The nature of perception is sharp, with a brilliant, clear quality. The flash of perception is a moment of seeing that is one-pointed, stable, and free from distraction. Experience is not diffused or scattered or moving. It is direct and in focus. It is stable because it is not tossed about by winds of thought or emotion. There is a stillness and roundedness as awareness remains with perception.
Visit Slow Shutter Speed to join this week’s lens-artist’s photo challenge: What’s your photographic groove?
Images that have currently survived this photographer’s ongoing critique of her creative efforts.
Morning’s moon at Snowy Range National Park … landscape

Coffee and me… still life

Reed Reflections at Shield Pond … minimalism

Playground slide at Spring Creek Park … abstract

Hop on over to (Travel with Me) and join this week’s photo challenge: picking favorites
This week Sofia invites lens-artists to think of what fits their narrative best … minimalism or maximalism.






Hop on over to Sofia’s Photographias to join this week’s lens-artist challenge: minimalism/maximalism

Nikon D750 … f/4.2 1/1600s 45mm
Hop on over to Amy’s (The World is a Book) to join this week’s photo challenge; every little thing.

Migration: submitted in response to Tina’s Lens-Artists photo challenge – The Rule of Thirds
Nikon D750 … f/4.5 1/2000s 85mm
This week’s lens-artists challenge offered by Patti (P.A. Moed) is to move closer to the subject within a photograph.
A water puddle.

Cropping the water puddle invites an abstract image.

A day … a “before” day. A day blurred by time at the Fort Collins Museum of Art.
The Fort Collins Museum of Art (MoA) is located in the Old Post Office building in Old Town Fort Collins. The museum is housed in a three-story Second Renaissance Revival structure designed by James Knox Taylor, the Supervising Architect for the U.S. Treasury.




Blurred images submitted for Amy’s (The World is a Book…) invitation: A day in my week




Patti (P.A. Moed) invites photographers to “show us your captures of street art in places near and far.”
The autumn wind
more white
than the rocks in the rocky mountains ~Basho

Oh leaves, ask the wind which of you
Will be the first to fall. ~Soseki

Along this road
Is none but I
This autumn eve. ~ Basho

in branches dense
with cicadas’ drone —
one autumn leaf ~Shohaku

“But why now?”
You will ask, awake
in autumn night. ~ Nishiyama Soin*

Images of past autumns with autumn haiku submitted for this week’s Lens-Artists photo challenge: colors of autumn
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