lens artists photo challenge: chaos

Chaos – eternal, immense, uncreated – from which all is born; nether darkness nor light, nor damp nor dry, not hot nor cold, but all things mingled, eternally one and limitless.

winterwalk
Nikon D750 f/1.8 1/4000s 35mm 200 ISO

Chaos was the beginning.  Within her void slumbered, in undifferentiated fusion, all the elements, the potential, the seed of a person.  Yet, some say that Chaos was born from Mist and that Mist was the first to exist.  

Mist is symbolic of things indeterminate, or the fusing together of the elements of air and water, and the inevitable absorbing of the outlines of each aspect and each particular phase of the evolution process. 

It is also said that Chaos existed from the beginning together with Nyx, the goddess of Night, mother of Erebus, god of darkness, and Tartarus, the underworld.  

Or is Chaos the soul’s state of potentiality – eternal, vast, uncreated, where all is intermingled, folding and unfolding, evolving and enveloping – prior to the birth to the unconscious?  

winterwalk
Nikon D750 f/1.8 1/4000s 35mm 200 ISO

stillness–
in the depths of the lake
billowing clouds

~Issa (cited: www.haikuguy.com)*

*David G. Lanoue (a translator of Japanese haiku, a teacher of English and world literature, a writer of haiku and “haiku novels) writes that this haiku serves as a substitute for experience–or, perhaps, a clear window into experience–allowing the reader, in contemplation, to see that same lake, those same clouds, and to feel the serenity and stillness of the moment. 

The above images are drawn from a 30 day photo assignment (same lens – camera wide open) and are submitted in response to Leya’s lens-artists photo challenge: chaos.

May you know serenity and stillness …

30 day assignment: same lens…camera wide open (3)

winterwalk

Nikon D750… f/1.8 1/800s 35mm 200 ISO

“FRIDAY MORNING, 9 O’CLOCK. People complain about how dark it is in the mornings. But this is often the best time of my day, when the dawn peers grey and silent into my pale windows. Then my bright little table lamp becomes a blazing spotlight and floods over the big black shadow of my desk. … This morning I am wonderfully peaceful. Just like a storm that spent itself. I have noticed that this always happens following days of intense inner striving after clarity, birth pangs with sentences and thoughts that refuse to be born and make tremendous demands on you. Then suddenly it drops away, all of it, and a benevolent tiredness enters the brain, then everything feels calm again …”

cited: Trans: Arno Pomerans, An Interrupted Life The Diaries of Etty Hillesum, pg 69.

same lens…camera wide open

light figure on dark ground

iPhone 7… f/1.8 1/9s 3.99mm

The previous art of seeing posts were inspired by an Udemy photography class taught by Adam Marelli, The Art of Seeing Photography, (10 light figure on dark ground and 10 dark figure on light ground).

With the completion of this project, I am now challenging myself to a 30 day project, same lens camera wide open, that was inspired by an educational Thorsten von Overgaard Photography webinar.

same lens, camera wide open
35 prime lens – aperture setting f/1.8

Nikon D750… f/1.8 1/4000s 35mm 200 ISO

Even though the 35 prime lens offers a sharper image, I generally prefer telephoto lenses with image stabilization as a means to ease anxiety, especially with street photography. So with the intention to draw upon past photo learning projects, I will step out of my comfort zone with my Nikon (35 prime lens, aperture set at f/1.8, and a neutral density filter) for the next 30 days…

on the water…

horsetooth reservoir winterwalk

on the water

a clear image of blossoms

death close by*

~Katsura Nobuko

Cited: Makoto Ueda, Far Beyond the Field

*’Death is close by, because the mirror image of the cherry blossoms, clearer than the actual flowers, will disappear with the slightest breath of wind.

Nikon D750 f/5 1/2000s 85mm 200 ISO