“When old age comes, whether in light or in dark, a person discovers that he knows no one. There hasn’t been time …” *

*cited: Alan Lightman, Einstein’s Dreams, pg 85
“When old age comes, whether in light or in dark, a person discovers that he knows no one. There hasn’t been time …” *

*cited: Alan Lightman, Einstein’s Dreams, pg 85
The child claps his hands
playing alone, happily,
under a festive tree ~Issa*
Egidio invites photographers to share photographs that are associated with songs. That is, “what music do you hear in your photos?”
I thought to share this masterpiece of abstract art created by a very quiet and thoughtful artist.
While photographs do not bring to mind music, they often speak to me either through haiku or a haiku accompanies me during a photo walk. There are associations with images and scent as well as music and memory.
Music seems more abstract than other art forms because it represents emotional states, symmetry and repetition, and other intangibles. But just because you can’t see or touch these things, doesn’t make them any less real. In preliterate societies, music was probably one of the best methods for storing and conveying complex stories and information.***
One of the best ways to understand how the over-all space of creative expression reflects its parts is to imagine yourself inside the space of the artwork…select a place within the composition where you would like to locate yourself for a few minutes of contemplation. …imagine…passing through different areas of the artwork…feel…energetic patterns. (152)****
*cited: The Spring of My life
Trans: Sam Hamill
**used with permission by the artist
***The Ethan Hein Blog (www.ethanhein,com)
**** McNiff, Shawn
Trust the Process
green moss–
all the way to my lap
spring’s rainbow ~Issa*

Leica V-Lux 5: f/4 1/2500 s 10.1 mm 125 ISO
*cited: http://www.haikuguy.com “love note to Planet Earth. Spring’s dazzling colors touch and include Issa. He gazes and realizes: I am (we are) part of this glory!f”
“As the ink flows onto the page,
each word creating and tumbling into another,
she wonders aloud to no one in particular,

‘are these sleeping memories
left in the shadows of grief …
writing on and on
this tale and that …
moving my pen across the page ...
as if a bridge to yesterday?'”
Even into the mind always clouded with grief,
There is cast the reflection of the bright moon.
~Lady Sarashina ( Diaries of Court Ladies of Old Japan)

In this world
the living grow fewer,
the dead increase–
how much longer must I
carry this body of grief?
Ono no Komachi (J Hirshfield & M AratanI, The Ink Dark Moon)

carving aged faces
sunset by sunset – whitening streaked hair
days of yesterdays

Delicate … the dance
of light and shadow
between insight and ignorance
in life and death
from suffering to tranquility
May you become acquainted with tranquil single-pointed concentration . . . those who seek wisdom through the lens of tranquility glimpse reality in the same manner as a lighted candle — the light chases away that which is hidden within the shadows of a darken closet. Insight, once risen, shines light into closed hearts and minds and keeps the gloom of ignorance at bay

Ritva Sillanmaki invites lens-artists photographers to “see beyond the surface” and “focus on the shapes, colors, textures, and patterns of the subject, rather than its literal representation.”
Some of the images below were created through the use of double exposure, shutter speed, focus, light and shadow, and gift of nature’s beauty.







If I say
this or that,
how ordinary grief becomes –
broken cries are the words
that sorrow’s voice demands
~Izumi Shikibu*

*cited:
The Ink Dark Moon
Trans: J Hirshfield & M Aratani
How peaceful is
Every single dawn;
I gaze out, yet
Still in the depths of night
I dream…a grief, indeed.
~Princess Shokushi*
A cairn is a human-made pile (or stack) of stones raised for a purpose, usually as a marker or as a burial mound. The word cairn comes from the Scottish Gaelic: càrn [ˈkʰaːrˠn̪ˠ] (plural càirn [ˈkʰaːrˠɲ]).
Cairns have been and are used for a broad variety of purposes. In prehistory, they were raised as markers, as memorials and as burial monuments (some of which contained chambers). In the modern era, cairns are often raised as landmarks, especially to mark the summits of mountains. Cairns are also used as trail markers. They vary in size from small stone markers to entire artificial hills, and in complexity from loose conical rock piles to elaborate megalithic structures. Cairns may be painted or otherwise decorated, whether for increased visibility or for religious reasons.
A variant is the inuksuk (plural inuksuit), used by the Inuit and other peoples of the Arctic region of North America.*
*cited: Wikipedia
Video of Erin building a cairn submitted in response to Donna @ WindKisses’ lens-artists challenge: rock your world
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