Li Po (A.D. 701-762)

III. 1. The Distant Parting

Fujifilm X-T4: f/16 1/10 s 80 mm 400 ISO

“Long ago there were two queens called Huang and Ying. And they stood on the shores of the Hsiao-hsiang, to the south of Lake Tung-t’ing. Their sorrow was deep as the waters of the Lake that go straight down a thousand miles. Dark clouds blackened the sun. Shōjō howled in the mist and ghosts whistled in the rain. The queens said, “Though we speak of it we cannot mend it. High Heaven is secretly afraid to shine on our loyalty. But the thunder crashes and bellows its anger, …

So the royal ladies wept, standing amid yellow clouds. Their tears followed the winds and waves, that never return. And while they wept, they looked out into the distance and saw the deep mountain of Tsang-wu.

“’The mountain of Tsang-wu shall fall and the waters of the Hsiang shall cease, sooner than the marks of our tears shall fade from these bamboo-leaves’.” ~Li Po*

*cited: trans: Arthur Waley, The Poet Li Po, The Project Gutenberg eBook

lens-artist: reflections

In this hour of longing 
Reflection brings to mind each day gone by
And in each one 
Was less of sorrow.
*

“… the dream interpreter interpreted my dream, but I could not realize this. Only the sorrowful reflection in the mirror was realized unaltered. …”**

Anne from Slow Shutter Speed invites lens-artists to explore images of reflections

*The Diary of Izumi Shikibu, Diaries of Court Ladies of Old Japan

**cited: The Sarashina Diary, Diaries of Court Ladies of Old Japan

lens-artists: books

Within one of the realms of The Wheel of Suffering, is the animal realm in which a bodhisattva is depicted holding a book representing the need for wisdom that arises through thought, speech, and reflection.

” … I come to a place where I envision myself eagerly standing before bookshelves, my eyes lightly and briefly touching upon one book’s title and then another, feeling their words tickle my thoughts until I surrender to their unspoken promises. Once engaged by the promising nature of a title, it is hope that opens a book jacket and begins another journey through pages.  With the turning of each page, desire seeks the experience of validation within the configuration of a writer’s text. All of this, I believe, is driven by memory traces of how the words of unknown authors enfolded my emotional self …” (cited: B Catherine Koeford, A Meditative Journey with Saldage)

“… you and I in the living room.  You gave me three hard bound books…illustrated books. One about the lives of bees, the other about the Civil War, and lastly…the female reproductive system, “You are a woman now.  You must wash your face twice a day …” 

I was a woman.  Three books. Books freed us to worlds beyond a rural newspaper route.  Books were trips to the library, classical comic books left on my bed, novel reenactments, and later carefully National Geographic cutouts attached to your letters.  

I loved novels. You, nature and science …”  (cited: My Mother Came to Visit, memories of my mother during Covid …”it was a remembered touch that announced her arrival”)

Unseeded and Two Springs – two photo books of personal journeys of healing.

Two Springs: you left,
I remained… two springs

A photo journey…in remembrance of my mother, Elberta.

Unseeded: “The first time I heard the word “unseeded” I felt it resonate with another term saudade, a unique Portuguese word with no immediate English equivalent.

Saudade describes a vague and constant desire for something that does not and probably cannot exist …”

 Ritva has invited lens-artists “to embrace your inner book lover and share your most creative photographic interpretation of anything related to books.”

lens-artists: zooming

Sometimes the voice of a bird calls among the ancient trees—a male calling to its wife, up and down through the woods.

Sometimes a nightingale sings to the moon, weary of empty hills. ~ Poet Li Po*

Anne (Slow Shutter Speed) invites lens-artists to “take your camera and zoom lens out for some zooming.”

*cited: Arthur Waley, The Poet Li Po A.D. 701-762, Project Gutenberg eBook

lens-artists: first thing i thought of

This week Tina (Travels and Trifles) invites lens-artists to share photographs that bring a bit of humor into their lives. As I have found that photo walks are like treasure hunts where each click of the camera is tucking images into a bag of treasures … only to be opened when one is at home. The images below brought moments of humor that I hope you enjoy.

Only if I could poppy speak.

Yep! A foretelling of academia!

How does a children’s slide become the Fantom of the Opera?

Ready, set, and off flying she goes!

lens-artists: serenity

This week Egídio (Through Brazilian Eyes) invites lens-artists to share images of serenity. What is serenity?

In the stillness 
Between the arrival of guests 
The peonies.
~Buson

Transient

A gentle awakening to unintended stilled silence?

Hidden, evasive, denied as yearning seeks another state of being?

lens-artists: breaking the rules

Ritva writes that “we work so hard to learn the photography rules, at least I do but now it is time to BREAK them!! The problem is just that in order to break a rule, you must know that there is a rule in the first place!”

The composition guidelines (rules) used within this image:

Sub-framing – a picture in a picture is a technique which invites a viewer’s eye into an image through the use of natural or man-made elements. This invitation to the viewer to be guided from the foreground to the background also adds depth to an image. They may take multiple shapes or forms and may either dominate an image or constitute a small component in a wider composition.

Does the composition of this image invite you to be guided from the foreground to the framed tree in the left upper corner?

Rule of odds – guideline created by how the composition within an image may gift us with the balance we unconsciously seek

Does the three blurry bells gift you with a sense of balance? Or does the line composition have a negative affect on balance? I find that my head tilts in an attempt to fit the image into a sense of expectation.

Rule of thirds:  the element of composition that begins with dividing an image into thirds, horizontally and vertically, creating nine imagined sections.

This image is created with five layers, do you find that the composition may have some how upset the rule of thirds?