the stories we weave

Individuals have within themselves vast resources for self understanding and for altering their self concepts, basic attitudes, and self directed behavior; these resources can be tapped if a definable climate of facilitative psychological attitudes can be provided.   ~ Carl Rogers

I am acquainted with a mind filled with multiple crosscurrents of unfinished thoughts, stifled emotions, and passing moods. There is also a growing recognition that at times I am overwhelmed by discursive thoughts that are formed by habitual ways of thinking, led by my own various prejudices, impacted by personal preferences or aversions, colored by laziness or selfishness, and intensified by faulty or superficial observations. Sometimes I awaken to myself to find that while engaged in a behavior, my mind has entered a dreamlike state, and therefore events and conversations are vague and fragmentary.  Sometimes I acknowledge this process or attribute it to boredom, anxiety, doubt, impatience, exhaustion, misjudgments, and self-salient triggers.

Protecting oneself, one protects others; protecting others, one protects oneself . . . And how does one, in protecting oneself, protect others? By the repeated and frequent practice of meditation.

And how does one, in protecting others, protect oneself? By patience and forbearance, by a non-violent and harmless life, by loving kindness and compassion.” But self-protection is not selfish protection. It is self-control, ethical and spiritual self-development.  ~ The Buddha

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Every healing intervention is motivated by suffering and hope – be it of the individual, family, friends, or a community agency.  The value within suffering is that it contains a message of incongruence that awakens the motivation to heal. William James wrote that life is the manifestation of behaviors that attempt to avoid, overcome, or remove that which is seen to block us from that which we desire.

The personal story is a narrative of our unique sense of identity.  We create our identities through the stories we weave onto a tapestry that is formed against the background of our family mythologies. We pull threads from of an assemblage of recalled details from our pasts and weaved them into images that cast us in whatever role corresponds with our current situations, feelings, thoughts, or actions. The colored threads of this tapestry are often re-embroidered to reflect the creative and dynamic process of our perspectives as we shift in, out, and between various roles, feeling states, and cognitions.  As we reflect on our self-created images we are in turn affected by them; therefore, there is an unconscious re-weaving of our tapestries.

 Our self-stories as well as our family mythologies create and maintain our identities and thus influence how we anticipate experiences, act, and subsequently interpret our situation.  Becoming aware of the tapestry and images we are creating frees us to review patterned behaviors, reframe our story through different colored concepts, and to release rigid interpretations.

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Within … a supportive and non-judgmental environment, each is invited into a process of bare attention that is non-coercive as they uncover the seeds of their suffering and thus begin to strengthen their recovery with renewed energy.  It is after a meeting during the quiet of one’s alone time that each attendee begins a process of dismissing what is personally invalid, questioning harmful behavioral patterns, or replacing painful concepts with constructive meanings.  They, through their own individual reflection, take what is helpful for them at the moment and let the rest flow away.

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Through this process of externalization, validation, and reformation an individual is being invited to become other to herself as if she were the audience in a movie theatre watching her life story being retold on a screen.  Consequently, a new relationship with the self is formed that lessens the suffering that comes out of subjective rigidity, alienation of self as “the only one”, and attachment to shame and guilt.

Excerpts: Koeford, B., A Meditative Journey with Saldage

Initial posting September, 2016

lens-artists photo challenge: symmetry

This week Patti introduces various types of symmetry that create images that are powerful and dramatic: vertical, centered, mirrored, horizontal, and radial.

Radial symmetry is all about circles.  It is often seen within flower images as petals fan out from a center circle. Other examples are spokes on a wheel, or ripples of water making concentric circles.

While I have studied various types of symmetry over the years, radial symmetry is one type of compositional element that is new to me. Consequently I decided to open my eyes to various ways to compose symmetry through the use of circles.

Hope you enjoyed these images. Be safe. Be well.

lens-artists photo challenge: inspiration.

With the perspective of personal responsibility to lessen resource and emotional stress upon the medical profession, to protect those I love as well as those unknown to me, and to lessen the burden upon those whose actions ensure continuation of my basic needs, I have chosen to comply with the state’s “Stay-at-Home and Safer at Home” orders.

Six months ago, one well-being behavior was to engage in early morning mediative walks; yet, as the days have flowed into each other there has been a lessening of motivation to engage in any “masked” walks as my attention has been drawn towards managing the anxiety that arises with an awareness that only a few cyclist, walkers, and runners choose to wear masks and it seems as though any attempt to engage in social distancing is a one personal endeavor.

This morning as I pondered how to connect the many sources of inspiration with images, I found that Tina’s (Travels and Trifles) Lens Artist challenge: inspiration inspired me to gather up the courage to pick up my camera and walk…Thank you Tina.

Sony RX1003 f/3.2 1/125s 25.7mm 80 ISO

Over the years, haiku has been an inspiration:

Walking along

My shadow beside me

Watching the moon. ~Sodō

(Jonathan Clements, The Moon in the Pines)

Sony RX1003 f/3.2 1/200s 9.1mm 80 ISO

The words of Thich Nhat Hanh inspire me as I become aware of my in-breath and out-breath and the suffering that may arise from actions, speech, and thoughts.

When conditions are sufficient, a cloud transforms into rain, snow, or hail. The cloud has never been born and will never die. The insight of signlessness and interbeing helps us recognize that all lives continue in different forms. Nothing is created, nothing is destroyed, everything is in transformation ~Thich Nhat Hanh

Leica… f/7.1 1/640s 33.7mm

Nature inspires me to embrace impermanence and eases my anxiety through her amazing beauty.

Sony RX1003 f/3.2 1/800s 25.7mm 80 ISO

Photography inspires me to open my eyes to the wondrous gifts life offers within each moment.

Sony RX1003 f/3.2 1/160s 20.2 mm 80 ISO

lens artists photo challenge: negative space

Photography, in a nut shell, is lines, shapes, colors, and feelings

In photography negative space is perhaps the most important element as it embraces the subject within your image — the element of interest — helping it stand out and inviting the viewer’s attention.  It is the aspect within a photograph that generally doesn’t attract much attention.  It is sometimes referred to as white space and has the potential to change what appears to be an average subject into an outstanding image.

The simplest example of positive and negative are the words in this blog.  These words draw your attention while the background doesn’t.  The words are positive space, and the white background is negative space

Negative space awakens feelings of peace, calm, quiet, loneliness, isolation. It is less about the subject within a photograph and more about awakening a feeling in the viewer.

Negative space can create a sense of lightness, airiness…it can strengthen the positive emotions in a photography, emphasize the feelings of your subject, conveying whatever story you as a photographer wishes to evoke in your viewer.

Negative space provides “breathing room” giving the viewer’s eyes a place to rest and preventing an image from appearing too cluttered…creating a more engaging composition.

Negative space, in the world of photography, may be more important especially if the photographer tends towards creating images that are simple; yet effective. Michael Kenna, Bruce Percy, and Masao Yamamoto are three artists known for their minimalistic images.

This week’s lens artists’ host is Amy (The World is a Book). Hop on over and join in the fun.

saturated

“I’ve waited for you

for a long time” – for your song,

my mountain cuckoo   ~Issa*

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This week, show us a photo of whatever you’d like, but make sure it’s saturated. It can be black and white, a single color, a few hues, or a complete rainbow riot; just make sure it’s rich and powerful. Let’s turn the comments into an instant mood-booster!

Visit WordPress’ weekly photo challenge to view additional images created specifically for the concept of saturated

Initially posted on September 27, 2013

 *cited in:

The Spring of my Life

Trans: Sam Hamill