This week Patti invites photographers to explore a couple of questions in regards to black and white vs color images: 1) When is it best to use one vs the other? 2) What’s the benefit of each one?
First I have to admit that even though I have read various articles about what types of photographs are ideal for black and white, I generally move in and out of an experimental flow of emotional responses.
For example the first image was edited in Capture One from a raw file to a jpg. The black and white image was edited in Silver Efex Pro2. The last was edited in Color Efex Pro 4 which, for me, invokes a stimulus response of soft and gentle.
As I’ve been experiencing difficulties using Photoshop and Capture One due to upgrades, I made the very difficult decision to cancel both subscriptions. Anyone have any recommendations for editing programs that will work with an ISO 13.7.3?
Ritva (Ritva Sillanmäki Photography) has invited lens-artist to “… Shoot From Above this week! Let’s get creative with a top-down perspective. Let’s have fun”.
Bird’s-eye View
When photographing a subject from above, it is known as a “bird’s-eye view”. This could be taken from up in the sky, such as when flying in a plane, or could simply be taken by standing on a ladder, slightly above your subject. Photographing from this point of view can make viewers feel as though they are superior to the subject – such as a stern father looking down on his misbehaving child – or protective over the subject. If the subject is an inanimate object, it can sometimes make the viewer feel as though there is a separation between them and the subject. (cited: The New York Film Academy)
This week’s lens-artists invitation is to share images created in 2024 that either did not meet the criteria for a theme or were created after a specific theme was published.
I can’t recall if there has been a challenge offered this year to photograph using “illumination from behind.”
I enjoy photographing into October’s early morning sun as it seems to give life to the texture and colors of autumn leaves. These two images taken on October 27th were the last two created for the year with a Sony RX 100 3. While both images have a soft blur that initially was a bit of a disappointment, I do enjoy the bokeh and intense yellows and greens,
Within this image I enjoy the soft highlights along the edges of the leaves in the upper right corner.
Within this image, I like how the sun has given a golden glow to the leaves on the stem that moves from the middle of the image to the lower right.
May this year transition to a new year with a global movement towards compassion for all life.
In Chinese Medicine, the Five Elements represent the five unique energies that are present in all things throughout nature. These include Metal, Water, Wood, Fire, and Earth. Each element expresses itself differently depending on where it’s found and also manifests in our body organs, emotions, and personalities.
When Qi is moving through our body freely, the Five Elements are said to be in balance, as Qi needs to be moving constantly for optimum health. But imbalances between the Five Elements and their corresponding energetic channels (meridians) can cause the Qi to either stagnate, or become excessive, affecting our wellbeing.*
Everything relies on everything else in the cosmos in order to manifest—whether a star, a cloud, a flower, a tree, or you and me.~Thich Nhat Hanh
metal
If there was no earth there would be no metal. If there was no metal this photograph would not be.
fire
If there was no wood there would be no fire. If there were no fires there would be noprairie, savanna, chaparral and coniferous forests.
wood
If there was no earth there would be no wood. If there was no wood there would be no carpenters.
water
If there were no hydrogen atoms and oxygen atoms there would be no water. If there was no water there would be no fish.
earth
Without the Milky Way there would be on earth. Without our earth there would be no us.
This week Sofia (photographs) invites photographers to focus on one of the elements…and to try to get as many in one photo as possible…
An authentic smile … arouses an authentic feeling of freshness, and I think the smile belongs only to human beings.~ Dalai Lama
If we want those smiles, we must create the reasons that make them appear. ~ Dalai Lama
I love smiles, and my wish is to see more smiles, real smiles …~ Dalai Lama
Leya has invited bloggers to “share something that made us smile, made You smile – and make the world smile with us! Old or new smiles, big or small, we welcome them all!”
Within today’s Ted Forbes newsletter he introduces a Japanese aesthetic concept: Koh-ltten, which loosely translates to “one red spot.”
One of the techniques Ted’s dad used to balance his landscape composition is to place a dot of color into a negative space. He wrote that it’s almost like a small light, a point of visual interest.
The “red spot” works as a balancing contrast in two ways: color and scale. Its presence is unexpected, but it often functions to anchor the composition. It can be subtle, only noticeable when you’re really analyzing the work. It doesn’t have to be red, and it not restrained to a”dot” or “spot.” The overarching idea is to provide the viewer with a visual anchor – it serves as a point of contrast to the rest of the picture.
In the Japanese aseptic the emphasis is on subtle contrast, A “spot” a moment, a detail of interest or beauty. It doesn’t stand out too much. Think of it as “quiet.” Beauty is contrast displayed with humility.
In closing, I apologize to Patty (pilotfishblog.com) for taking another pathway to illustrate detail within photographs as I was so engaged with Ted Forbes discussion of the Japanese aesthetic concept: Koh-ltten I had an overwhelming desire to explore and share this quiet detail.
Thank you Ted for your willingness to share your journey and in this sharing teach me so much about photography.
Living in the country, waking to snow left during the night, feeling the silence – the stilled silence, and then gasping and sharing with delight the sight of footprints left by silent night visitors. Memories.
I once read that the silence after a snowstorm isn’t just our imagination — all those tiny flakes actually trap the sounds of your surroundings.
“Chris Bianchi, a meteorologist at Weather Nation, described the phenomenon as a sort of citywide cup of tea: After a big storm, we can take a few minutes to relax and take in the quiet.
snowisolation
“The science behind that quiet comes down to how sound waves travel (or, more accurately, don’t travel) through snowflakes.
“‘Snowflakes, when they’re spaced further apart, there’s little gaps, obviously invisible to the naked human eye,’ Bianchi said. ‘But there are these little gaps within the snow and those are very efficient at absorbing sound.’
“The sound waves from cars, buildings and people get trapped in those small places between the snowflakes.
“Not just any snow can trap noise. It has to be the freshly fallen, light and fluffy. Wet and heavy snow doesn’t leave those spaces for sound to be trapped.
“One study found a couple of inches of snow can absorb as much as 60 percent of sound. Snow can act as a commercial sound-absorbing foam when it’s in that fluffy, freshly fallen state.
“As the snow starts to melt, those little sound-catching spaces start to go away too.
“(When snow melts) it compacts, and that compaction reduces the amount of little crevices and nooks and crannies that sound is able to be trapped in,” Bianchi said.
“So, for at least a few hours or even a day after a snowstorm, we can get some reprieve from all that noise around us.
“‘It’s calming, it’s relaxing, it’s tranquil,’ Bianchi said. ‘Life is kind of forced in a sense to slow down.’”
cited: CPR News, Claire Cleveland and Andrea Dukakis, “Yes, it really is quieter when it snows. Here’s the science behind the calm after the storm. February 4, 2020.
And then, the crunching sounds of footsteps ending silence.
Looking backward … I cannot see the ancients days. Looking forward … I cannot see ages yet to come. Only heaven and earth have remained, and will remain forever … I am alone, I grieve, I drop tears into the dust. ~Chen Tzu-ang*
Images that speak of solitary … alone … by one’s self evoke feelings of contemplative sadness.
winterwalk
Leya has extended a lens-artists challenge: setting a mood
*cited: Translator: Anonymous. The Project Gutenberg Ebook of the Jade Flute, by Various
This week’s Lens-Artists, walking the neighborhood, challenge is offered by Travels and Trifles.
During the heat of the summer, walks occurred during the early morning with its cool(er) temperatures. This time of day parking lots are mostly empty, one may greet people who rise early to walk their dogs or to begin their day in quiet contemplation. Well … there are people who are multi-tasking on these morning photo walks as they open their eyes to see life through a camera lens and begin the challenge of 10,000 steps walking to the groceries to buy Skyr and raspberries … hum. Skyr, blackberries and nuts … hum, hum. Blue berries, anyone?
As my great-granddaughter is known to have said, “It sounds like a parfait!” I read that parfait is the French word for “perfect.” Creamy vanilla skyr is the best! Hum, hum, hum!
Ritva Sillanmäki invites an exploration of “Taking the mundane and shining a different light on it. Highlighting an object or scene that we normally pass by without notice, and making it something special. This process allows us to appreciate the beauty and significance of everyday things that often go overlooked. By giving attention to these ordinary elements, we can find inspiration and joy in the simple moments of life”.
I once read that a photograph of a peanut taken at a distance is just an image of a peanut. A photograph of a peanut that fills the image space is art.
a meditative journey 
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