lens-artists

lens-artists: it’s a wild life!

“And he sailed off through night and day. And in and out of weeks. And almost over a year to where the wild things are.”*

“Max said ‘BE STILL!‘ and tamed them with the magic trick of staring into all their yellow eyes without blinking once and they were frightened and called him the most wild thing of all and made him king of all wild things.”*

“And now,” cried Max, “let the wild rumpus start!”*

“And Max, the king of all wild things, was lonely and wanted to be where someone loved him best of all.”*

Submitted in response to Egídio’s lens-artists challenge, “I would love to see your wild side.”

*Maurice Sendak, Where the Wild Things Are

lens-artists: five favs

As I spent part of the afternoon revisiting photo files in response to Tina’s invitation to share five favorite photographs, I began to ponder, “What are the variables within photographs that come together to create a place within the heart of the eyes?”

Photographs tell of silent, vague, faded memories. Photographs are of visual moments that have grasped one’s attention. Photographs share times of exploration, of travel, of life. Photographs are representations of impermanence, light and shadow, fantasy, composition, challenges, points of view, …

Even  in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto. ~Buson

an image created in 2013 that awakens memories of 1960s
an unforgettable smile
a telling of impermanence
a pear
a time of light and shadow

Thank you Tina for this quiet Sunday of reflection.

lens-artists: portraits

Ritva has invited photographers “to capture the essence and personality of your subjects. Whether you choose to ask a stranger, do a self-portrait, take the portrait of a friend, family member, or acquaintance, or photograph animals and birds, the goal is to connect with another person or subject and tell their story through your image.”

This past year has engulfed my family into intense grief with the passing of my husband and son-in-law. Both these two men, the bedrocks of the family, endured intense suffering and left us with a deeper understanding of acceptance, compassion, and suffering. There is also gratitude … gratitude for the grounding companionship of emergency response teams, doctors, nurses, support staff, military personnel.

Over the past year, the beauty of the dawn has been a source of encouragement to begin each day anew. An important part of welcoming each new day … its challenges and unknowns … has been photography.

Thank you Rita for this challenge as it invited me to spend a few minutes to play as I explored new ways to perceive life.

lens-artists: life’s changes

trailed with clouds

the layered memories

of time forever gone

stands between us now

in this spring dawn

There is an earth-shattering moment that barges into a life, unexpectedly, shifting and tearing apart everything … everything in the heart held to be true. After the denial, disassociation, and numbing begin to ease, there is a knowing that the “before you” has been ripped away and now an “ongoing emerging you” has begun a never-ending search for THE door of clarity and resolution. Within that search life continues. Life with its births and deaths. Life creating pathways of sorrow and joy. Pathways of contemplation created through photography and haiku.

rain falls

memories of lost years

left by a cloud

My mother’s passing in the spring of 2016, expected yet unexpected, occurred during this journey with WordPress. The intention to validate my mother’s life opened a gate of posting 100 days of contemplative photography and haiku to remember, honor, and share the life of a woman, my mom.

meandering tales

beyond a haze of tear drops

my mother’s face – mine.

Memories of my mom often come to visit…they are remembered moments that announce her arrival, not as the frail woman with a fierce determination that time had transformed formed but the woman who carried with her the stature of Danish Vikings…warriors, explorers, conquerors, survivors.

morning haze

jewels of rain, falling

in a dream

In our next spring

let’s meet as butterflies

afield

Though we are parted,

If on Casper Mountain Peak

I should honor the sound

of the pine trees swaying there –

with the summer breeze.

After my mother’s memories fade and life’s present moments come into focus I often wonder … if we had met – not as mother-daughter – but as children in a playground would she have wanted to be my friend? I know she would have been my bestest of friends.

Thank you Anne (Slow Shutter Speed) for the invitation to share what has “enriched and/or changed” my life.

lens-artists: just one picture

One picture … an image holding a shared moment during a winter’s drive … a silent memory of the time … the time before hearing … hearing the diagnosis … prostate cancer, stage 4.*

*A 2013 study conducted at the Portland VA Medical Center and Oregon Health and Science University found that Veterans exposed to Agent Orange are not only at higher risk for prostate cancer, but they are more likely to have aggressive forms of the disease. (cited: US Department of Veteran’s Affairs)

Leya’s lens-artists challenge: “use only ONE picture. One that you find important, meaningful to you, maybe sending a message – and then explain why you picked just that picture.”

lens-artists: exploring color – b&w

This week Patti invites photographers to explore a couple of questions in regards to black and white vs color images: 1) When is it best to use one vs the other? 2) What’s the benefit of each one?

First I have to admit that even though I have read various articles about what types of photographs are ideal for black and white, I generally move in and out of an experimental flow of emotional responses.

For example the first image was edited in Capture One from a raw file to a jpg. The black and white image was edited in Silver Efex Pro2. The last was edited in Color Efex Pro 4 which, for me, invokes a stimulus response of soft and gentle.

As I’ve been experiencing difficulties using Photoshop and Capture One due to upgrades, I made the very difficult decision to cancel both subscriptions. Anyone have any recommendations for editing programs that will work with an ISO 13.7.3?

Thank you for visiting.

lens-artists: above

Ritva (Ritva Sillanmäki Photography) has invited lens-artist to “… Shoot From Above this week! Let’s get creative with a top-down perspective. Let’s have fun”.

Bird’s-eye View

When photographing a subject from above, it is known as a “bird’s-eye view”. This could be taken from up in the sky, such as when flying in a plane, or could simply be taken by standing on a ladder, slightly above your subject. Photographing from this point of view can make viewers feel as though they are superior to the subject – such as a stern father looking down on his misbehaving child – or protective over the subject. If the subject is an inanimate object, it can sometimes make the viewer feel as though there is a separation between them and the subject. (cited: The New York Film Academy)

lens artists: last chance

This week’s lens-artists invitation is to share images created in 2024 that either did not meet the criteria for a theme or were created after a specific theme was published.

I can’t recall if there has been a challenge offered this year to photograph using “illumination from behind.”

I enjoy photographing into October’s early morning sun as it seems to give life to the texture and colors of autumn leaves. These two images taken on October 27th were the last two created for the year with a Sony RX 100 3. While both images have a soft blur that initially was a bit of a disappointment, I do enjoy the bokeh and intense yellows and greens,

Within this image I enjoy the soft highlights along the edges of the leaves in the upper right corner.

Within this image, I like how the sun has given a golden glow to the leaves on the stem that moves from the middle of the image to the lower right.

May this year transition to a new year with a global movement towards compassion for all life.

lens-artists: 5 elements

In Chinese Medicine, the Five Elements represent the five unique energies that are present in all things throughout nature. These include Metal, Water, Wood, Fire, and Earth. Each element expresses itself differently depending on where it’s found and also manifests in our body organs, emotions, and personalities.

When Qi is moving through our body freely, the Five Elements are said to be in balance, as Qi needs to be moving constantly for optimum health. But imbalances between the Five Elements and their corresponding energetic channels (meridians) can cause the Qi to either stagnate, or become excessive, affecting our wellbeing.*

Everything relies on everything else in the cosmos in order to manifest—whether a star, a cloud, a flower, a tree, or you and me.~Thich Nhat Hanh

metal

If there was no earth there would be no metal. If there was no metal this photograph would not be.

fire

If there was no wood there would be no fire. If there were no fires there would be no prairie, savanna, chaparral and coniferous forests.

wood

If there was no earth there would be no wood. If there was no wood there would be no carpenters.

water

If there were no hydrogen atoms and oxygen atoms there would be no water. If there was no water there would be no fish.

earth

Without the Milky Way there would be on earth. Without our earth there would be no us.

This week Sofia (photographs) invites photographers to focus on one of the elements…and to try to get as many in one photo as possible…

*cited: poweryogaaco.com

lens-artists: this made me smile

An authentic smile … arouses an authentic feeling of freshness, and I think the smile belongs only to human beings.~ Dalai Lama

If we want those smiles, we must create the reasons that make them appear. ~ Dalai Lama

I love smiles, and my wish is to see more smiles, real smiles …~ Dalai Lama

Leya has invited bloggers to “share something that made us smile, made You smile – and make the world smile with us! Old or new smiles, big or small, we welcome them all!”

A smile awakens a smile. A frown returns a frown.

lens-artists: details

One Red Spot

Within today’s Ted Forbes newsletter he introduces a Japanese aesthetic concept: Koh-ltten, which loosely translates to “one red spot.”

One of the techniques Ted’s dad used to balance his landscape composition is to place a dot of color into a negative space. He wrote that it’s almost like a small light, a point of visual interest.

The “red spot” works as a balancing contrast in two ways: color and scale. Its presence is unexpected, but it often functions to anchor the composition. It can be subtle, only noticeable when you’re really analyzing the work. It doesn’t have to be red, and it not restrained to a”dot” or “spot.” The overarching idea is to provide the viewer with a visual anchor – it serves as a point of contrast to the rest of the picture.

In the Japanese aseptic the emphasis is on subtle contrast, A “spot” a moment, a detail of interest or beauty. It doesn’t stand out too much. Think of it as “quiet.” Beauty is contrast displayed with humility.

In closing, I apologize to Patty (pilotfishblog.com) for taking another pathway to illustrate detail within photographs as I was so engaged with Ted Forbes discussion of the Japanese aesthetic concept: Koh-ltten I had an overwhelming desire to explore and share this quiet detail.

Thank you Ted for your willingness to share your journey and in this sharing teach me so much about photography.