a photo study: a color primary

I have very elementary understanding of color theory so if you find that there is an error within this post or a particular point needs additional clarification, I would appreciate hearing from you in the comments section. I appreciate any positive critique that assists with this year-long learning project.

Color is light, and light is composed of many colors—the reds, oranges, greens, blues, and violets create the visual spectrum the human eye is able to see.  The objects in our world absorb certain wavelengths while reflecting other colors; for example, we see the leaves on trees as green because that is the wavelength that is being reflected by the tree’s leaves.

colorwheel

The color wheel is a chart representing the relationships between colors. The colors include: 

Primary Colors: Red, yellow, and blue are the basic colors and cannot be made from mixing other colors.

Secondary Colors: Orange, green, and violent – each of these colors are created by mixing two primary colors.

Tertiary Colors:  There are six tertiary colors, each made by mixing one primary color with an adjacent secondary color.

On the Pocket Color Wheel, for Amateur and Professional Use one will read that color is described by three characteristics: hue, value, and intensity.

Hue is the name of a particular color. 

Value is the relative lightness or darkness of a color (refer to gray scale). To increase contrast in your color scheme, you can adjust the value of a specific color; for example, making a yellow darker or lighter.

Intensity (Chroma, Saturation) is the purity of a color which determines its relative brightness or dullness.  

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Saturated Primary Colors red, yellow, and blue

  • Chroma: how pure a hue is in relation to gray.
  • Saturation: the degree of purity of a hue.  A contrast of saturation is created by the juxtaposition of light and dark values and their relative saturation. 
  • Intensity: the brightness of a hue. One may change the intensity by adding white or black.
  • Luminance/Value: a measure of the amount of light reflected from a hue. Those hues with a high content of white have a higher luminance or value.

Shade and tint are terms that refer to a variation of a hue.

  • Tint: Color plus white.
  • Tone: Color plus gray.
  • Shade: Color plus black.

Neutral Gray is a balanced combination of white and black.  

 

Warm (Advancing) Colors:  Reds, oranges, and yellows.

Cool (Receding) Colors:  Greens, blues, and violets.

Monochromatic is the use of any tint, tone or shade of just one color. These color schemes can be subtle and sophisticated and the contrast within these image is formed by the juxtaposition of light and dark values. 

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Using a color wheel divided into various shades and tints is one method of identifying possible options for color schemes. By varying the saturation and experimenting with shades and tints within the hue relationship, you can achieve quite a variety of palette options. Color combinations may pass unnoticed when pleasing, yet offend dramatically when compositions seem to clash.

Analogous: Using colors that are adjacent to each other on the Color Wheel. Use at least two colors but no more than five consecutive colors on the wheel.

Complementary: Using any two colors directly opposite each other on the wheel.  Complementary colors bring out the best in each other and fully saturated colors offer the highest level of contrast.  When one choses from tints o shades within the hue family the over contrast is reduced.

Split Complementary:  Using any color with the two colors of each side its complement.

Triad: Using three colors equally spaced from each other on the wheel.

Tetrad: using a combination of four colors on the wheel that are two sets of complements.

Key Color: Predominant color in the color scheme of a painting or other creative project. Color is very psychological and different color harmonies produce different effects. For example, because analogous colors are similar in hue they will create a smooth transition from one color to the next.

When we are working on a computer, the RBG colors we see on the screen are created by combining the light from three colors (red, blue, and green). The complementary primary-secondary combinations are red-cyan, green-magenta, and blue-yellow.  Black is [0,0,0], and White is [255, 255, 255]; Gray is any [x,x,x] where all the numbers are the same. The max value of each of the colors is 255.

How do you use color in your images? Do you find that your creative work tends toward back and white, monochrome, or color? Do you have a favorite photographer who works with color?

I am looking forward to any images you would like to share and your thoughts about the use of color in photography. Let’s tag with #aphotostudy.

early morning readings

contemplative photography

Nikon D750  f/5.6  1/400s   170m   450 ISO

“…there is thinking as a result of mind and object of mind, but there is no thinker. There is feeling, but the feeling and the one who feels are not separate.” ~Thich Nhat Hanh, The Other Shore

“In this acausal world … artists are joyous. Unpredictability is the life of their paintings, their music, their novels. … Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their resumes, but because of their good sense in interviews. … it is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.” ~ A Lightman, Einstein’s Dreams

“…Go on transforming a square canvas in your head until it becomes a circle. Pick up any shape in the process and pin up or place on the canvas an object, a smell, a sound, or a colour that came to mind in association with the shape. ~ Yoko Ono (cited: J F Simon, JR, Drawing Your Own Path)

lens artists photo challenge: fences

spring peace–

a mountain monk peeks

through a fence

~Issa (cited: http://www.haikuguy.com)

landscape

landscape 1

This week lens-artists invited us to share our favorite fence images.   While the images above are not my “favorite,” the sign did bring a smile.

I had to go back a number of “blog” years to find three of my favorite fences.

what is it that i seek?

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contemplative photography…Nikon D750  f/5.3  1/80s   112mm   100 ISO 

Standing at this Threshold

With uncertainty, I question:

What is it that I seek?

Protection? Compassion? Acceptance? Forgiveness? Completion?

Who is it that I beckon?

A father? A mother? A sister? A brother? A companion? A child? A god?

To be? To endure? To offer? To embrace? To validate?

An intentional presence that is drawn upon

A place and time of shadows, myths, and dreams?

Birthed within a family?

Matured within a relationship?

Nourished within a community?

Where the Stillness within Silence,

Affirms the exchange of life’s giving and taking,

Embraces the connection of life’s emotional threads, and

Observes the interdependence of life with non-judgmental awareness,

Yet, knows of a united oneness with another that can not be?

Since it can not be, do I yearn

To know integration through the formation of thought;

To see clarity through the flowing of ink; and

To feel completion through the act of creating?

And then, finally, within the stillness of silence,

I befriend

An internal companion with whom

There is an honoring of the who and what of which I am;

A woman, a daughter, a sister, a niece, a wife, a mother, an aunt, a grandmother, a great-grandmother.

I touch

With reverence the presence of all that was, is, and will be.

I release

The seeking, the beckoning, the yearning to the Winds of Change.

I with uncertainty, Step over this Threshold

Foreseeing a return

~bckofford

photo friday: vibrant

While reviewing old blogs, I came across an October 19, 2012 post entitled, “photo friday, vibrant.”  I thought it would be fun to create a new “photo friday” blog with updated vibrant images created a few weeks ago.  Hope you enjoy!

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P.S. I have found that “gratitude” is an antidote to feelings like resentment/anger.  I am finding that photographing color just may be an antidote for sadness/boredom.

our minds…

https://vimeo.com/286879475

…our minds can seem like such a ragged and disorderly place, disturbed by the slightest sound, thought, or impulse. Seeing the moving, restless character of the mind is the first step toward…concentration, mindfulness, tranquillity, insight, oneness.
~Tulku Thondup, The Healing Power of Mind