lens-artists: abandoned

all are lonely

yet are you much more than any

you who still wait?

Houses, aged and fragile, once stood strong within their newness and sang of home, dreams, hopes, joys. tears, family.

Houses that story homes of past years now silent.

Absent are the sounds of togetherness, of spoken differences, of celebrations, of loss.

Houses, abandoned, speak to our soul, our imagination. They tell of impermanence.

Yet, they seem to be waiting…waiting as they fade.

images and thoughts submitted in response to slow shutter speed’s challenge: abandoned

lens-artists: five favs

As I spent part of the afternoon revisiting photo files in response to Tina’s invitation to share five favorite photographs, I began to ponder, “What are the variables within photographs that come together to create a place within the heart of the eyes?”

Photographs tell of silent, vague, faded memories. Photographs are of visual moments that have grasped one’s attention. Photographs share times of exploration, of travel, of life. Photographs are representations of impermanence, light and shadow, fantasy, composition, challenges, points of view, …

Even  in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.
~Buson

an image created in 2013 that awakens memories of 1960s
a time of light and shadow

Thank you Tina for this quiet Sunday of reflection.

lens-artists: life’s changes

trailed with clouds

the layered memories

of time forever gone

stands between us now

in this spring dawn

There is an earth-shattering moment that barges into a life, unexpectedly, shifting and tearing apart everything … everything in the heart held to be true. After the denial, disassociation, and numbing begin to ease, there is a knowing that the “before you” has been ripped away and now an “ongoing emerging you” has begun a never-ending search for THE door of clarity and resolution. Within that search life continues. Life with its births and deaths. Life creating pathways of sorrow and joy. Pathways of contemplation created through photography and haiku.

rain falls

memories of lost years

left by a cloud

My mother’s passing in the spring of 2016, expected yet unexpected, occurred during this journey with WordPress. The intention to validate my mother’s life opened a gate of posting 100 days of contemplative photography and haiku to remember, honor, and share the life of a woman, my mom.

meandering tales

beyond a haze of tear drops

my mother’s face – mine.

Memories of my mom often come to visit…they are remembered moments that announce her arrival, not as the frail woman with a fierce determination that time had transformed formed but the woman who carried with her the stature of Danish Vikings…warriors, explorers, conquerors, survivors.

morning haze

jewels of rain, falling

in a dream

In our next spring

let’s meet as butterflies

afield

Though we are parted,

If on Casper Mountain Peak

I should honor the sound

of the pine trees swaying there –

with the summer breeze.

After my mother’s memories fade and life’s present moments come into focus I often wonder … if we had met – not as mother-daughter – but as children in a playground would she have wanted to be my friend? I know she would have been my bestest of friends.

Thank you Anne (Slow Shutter Speed) for the invitation to share what has “enriched and/or changed” my life.

li qingzhao

The lotus has wilted, only a faint perfume remains;

On the bamboo mat there’s a touch of autumn chill.

Softly I take off my silk dress

And step on board my orchid skiff alone.

Who is sending me the letter of brocade

From beyond the clouds?

When the wild geese return**

The moon will be flooding the West Chamber.

Flowers fall and drift away,

Water glides on,

After their nature.

Our yearning is the sort

Both sides far apart endure–

A melancholy feeling there there’s no resisting.

As soon as it leaves the eyebrows

It surges up in the breast*.

*cited: Ci-pomes of Li Qingzhao: A New English Translation, Sino-platonic Papers. No 13, October, 1989

**Wild geese were thought to be bearers of letters, especially love messages, because of their regular migrations from north to south and vice versa.

lens-artists: looking back

through the lenses of a Ricoh Caplio GX100 and Sony NEX-5N to the year 2013

violets on the gate–
even at night
sweet nostalgia
~Issa*

Sony NEX-5N: f/10 1/100s 27mm
Ricoh Caplio GX100: f/2.5 1/10s 5.1mm
Ricoh Caplio GX100: f/2.5 1/8s 5.1mm

I recently gained access to all the images posted to WordPress beginning in 2011 so this is an exciting way to begin looking back.

Thank you Sofia for this lens-artists invitation: looking back.

*cited: http://www.haikuguy.com

life’s passages … 103

over the fields of

last night’s snow–

plum fragrance.

                                                                                      ~Okano Kin’emon Kanehide*

plums and raindrops
a spring rain shower

*cited:

Japanese Death Poems

Yoel Hoffmann

 

life’s passages … 101

How invisibly

it changes color

in this world,

the flower

of the human heart.

                              ~Ono no Komachi*

rose

 

“… our ordinary vision is limited, and…our conventional consensus of reality is not the only version of reality.

The complex multidimensionality of the modern world no doubt contributes to the constructive habit of the mind that, in its attempt to provide meaning, continually rearranges the world to fit individual needs.  The failure to recognize the constructive nature of the mind can be a major obstacle to artistry and creativity.  Conversely, understanding the constructive nature of the mind and reality can lead the way to Great Understanding in the art of photography and in the art of living.” (61)**

cited:

*The Ink Dark Moon

Trans: Jane Hirshfield with Mariko Aratant

**Tao of Photography

Philippe L Gross & S.I. Shapiro

life passages … 99

Is my mind elsewhere

Or has it simply not sung?

Hototogisu*

~Ihara Saikaku (1642-1693)**

*Hototogisu, translated as cuckoo, wood thrush and sometimes nightingale.

The bird’s song is a strong but mournful cry.

It is said to die after singing 8,008 times.

It is also known as the “bird of time,”

“messenger of death” and “bird of disappointed love,”

and flies back and forth from this world to the next.

Confucian axiom: If one’s mind is elsewhere, one will look but not see, listen but not hear

**cited in:

The Classic Tradition of Haiku

Edited by:  Faubion Bowers