Before my vision
The fire and smoke of burning
Arose and died again.
To bamboo fields there is no more returning,
Why seek there in vain?
~Diaries of Court Ladies of Old Japan, The Sarashina Diary

Before my vision
The fire and smoke of burning
Arose and died again.
To bamboo fields there is no more returning,
Why seek there in vain?
~Diaries of Court Ladies of Old Japan, The Sarashina Diary

… sometimes a simple black and white monochrome image has a deeper expression…

have you ever noticed that the word industry contains dust?
camping in the Snowies

Nikon D750: f/9 1/13 s 78 mm 100 ISO
“Is this what life is?” she questioned. “Is this the impermanence of one’s life, a shattering of beliefs, morals, guiding principles…indoctrinations of her life?”

Dawns’ light



Sutcliffe rarely left Whitby [a port and resort community on the Yorkshire coast], where his portrait studio kept him busy, and said that he was ‘tethered for the greater part of each year by a chain, at most only a mile or two long.’ To most modern photographers this would seem a crippling restriction, but Sutcliffe gradually realized that it was an asset to him as a photographer since it forced him to concentrate on the transitory effects that could transform familiar scenes. …photographers should always aim for something more than ‘mere postcard records of facts.’ ‘By waiting and watching for accidental effects of fog, sunshine or cloud,’ he advised, ‘it is generally possible to get an original rendering of any place. If we only get what any one can get at any time, our labour is wasted; a mere record of facts should never satisfy us.’
cited: Frank Meadow Sutcliffe, The History of Photography Series, p 8
Horsetooth Reservoir



Journeys with John invites lens-artists to “share where you go or what you do to help lift those spirits when this old world starts getting you down”.
As I spent part of the afternoon revisiting photo files in response to Tina’s invitation to share five favorite photographs, I began to ponder, “What are the variables within photographs that come together to create a place within the heart of the eyes?”
Photographs tell of silent, vague, faded memories. Photographs are of visual moments that have grasped one’s attention. Photographs share times of exploration, of travel, of life. Photographs are representations of impermanence, light and shadow, fantasy, composition, challenges, points of view, …
Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto. ~Buson





Thank you Tina for this quiet Sunday of reflection.
life is a never-ending river…sudden moments of a stilled pond, languishing through time; riding whitewater rapids; falling waterfalls, bubbling creeks; uniting raindrops on a windowpane. Passing through life, seeking to rejoin with a vast unknown, and then again, evaporating into clouds that release into another stream of searching…searching…searching.



Are you in the waves of vast oceans?
Are you in the scent of flowers?
Are you in the spring’s early morning?
Are you in the touch of the afternoon’s sun rays?
Are you in the ever-changing clouds that tells stories of old?



Are you in the sound of melting snow?
Are you in the rustling movement of tumble weeds?
Are you in the colors of a brand new box of 72 Crayons? Or an old one?
Are you in the season of Autumn? Spring? Summer? Winter?
Are you in the wings of butterflies?



Are you in the vibrations of honey bees?
Are you in these questions?
Are you in the morning chanting sangha?
Are you in the scent of sun-warmed pine needles?
Are you in the uniting of water drops?
Are you in my searching, searching, searching?
sunset silhouette
leafless branches — in the sky
an ink-line drawing

The depth of the hearts
Of humankind cannot be known.
But in my birthplace
The plum blossoms smell the same
As in the years gone by.
~Ki no Tsurayuki*

*cited:
Oh leaves, ask the wind which of you
Will be the first to fall. ~Soseki*

*cited in Jonathan Clements, The Moon in the Pines
Listen, listen
longing and loss.
In the struck bell’s
recurrent calling,
no moment in which to forget.
~Izumi Shikibu (J Hirsfield & M Aratani, The Ink Dark Moon)

Nikon D750 f/2/2 1/800 s 35 mm ISO 100
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