lens-artists

lens-artists: habitat

This week’s lens-artists challenge is offer by Tina who invites us to share images/stories of habitats.

The Oxford Languages defines habitat as 1) the natural home or environment of an animal, plant, or other organism or 2) a person’s usual or preferred surroundings.

I understand the Earth to be the natural home for all the amazing diversity of life; from the Posidonia australis (the largest living organism on Earth: it is spread across 180 whopping square kilometres) to bacteria which are the smallest living organisms on earth (an average of 2 micrometres long and 0.5 micrometres thick).

But then again, the Guinness World Records recognizes the Nanoarchaeum equitans as the smallest living organism. Their habitat is a hydrothermal vent off the coast of Iceland on the Kolbeinsey Ridge by Karl Stetter.

For today, I will share these four examples of my usual or preferred surroundings, (sub-habitats of the earth?)

Thank you Tina.

lens-artists: two rectangles

This week’s lens-artists challenge is sponsored by Egidio (Through Brazilian Eyes) who writes, “By two rectangles, I mean you have two dominant rectangular areas in your image. For many people, this is one of those compositional tools we use without thinking about it. These rectangles give balance, harmony, and unity to a composition.”

Egidio shared a compositional tool used by Renaissance artists, “Renaissance artists used the technique called the Rabatment (also known as rebatement and rabattement) of the rectangle. One can think of Rabatment as putting a square inside a rectangle. Your composition is more potent when your subject falls on that line inside the square. The Rabatment concept helps guide the photographer’s eye to position elements harmoniously and organized within the rectangular frame. It’s not a rigid rule or grid but a tool to achieve a pleasing composition.”

lens-artists: behind

This color street image was created by using the reflection of a retail window. The buildings create the background while the foreground is created by both the man holding a phone and the tables/chairs. The three figures offers us a mid-ground. It is my thinking that the composition of this image is an example of using layers within a photograph.

The first image demonstrates the use of light and shadow to create a background. Where as in the second the foreground defines the background.

I hope you enjoyed these variations of layering in photography.

This week’s lens-artists challenge is hosted by Ritva

lens-artists: floral

Fujifilm X-T4: f/2.8 1/1000 s 60 mm 640 ISO

Fujifilm X-T4: f/2.8 1/4500 s 60 mm 640 ISO

Photographias invites artists to “have a celebration of flowers.”

lens-artists: delicate

Today life feels exceptionally delicate.

Relationships are delicate

The wings of the butterfly are delicate. Their wings are made up of thousands of scales that can fall off if touched. Without these scales to protect their wings, the underlying tissue can tear, preventing them from flying. The scales are unable to regrow once damaged.

Migrating is delicate. Each fall, millions of monarch butterflies migrate from Canada to Mexico. The monarch migration is a brilliant demonstration of nature’s ingenuity, but the delicate creatures face many perils, and the number of migrating monarchs is declining sharply.

Peace is delicate.

Submitted for this week’s lens-artists challenge: delicate

lens-artists: hopeful

Fujifilm X-T4: f/2.8 60mm 1/900s 640ISO

Hope rising on Mother’s Day … a lens-artist’s challenge offered by Patti

lens-artists: to be young again

“And a woman who held a babe against her bosom said, Speak to us of Children.

“And he said:

“Your children are not your children. …

They are the sons and daughters of Life’s longing for itself. …

“You may give them your love but not your thoughts.

“For they have their own thoughts.

“You may house their bodies but not their souls,

For their souls dwell in the house of tomorrow, which you cannot visit, not even in your dreams. …”*

Images posted in response to Tina’s lens-artists challenge: to be young again.

*cited: Kahlil Gibran, The Prophet, pg. 17

lens-artists: music to my eyes

The child claps his hands

playing alone, happily,

under a festive tree ~Issa*

Egidio invites photographers to share photographs that are associated with songs. That is, “what music do you hear in your photos?”

I thought to share this masterpiece of abstract art created by a very quiet and thoughtful artist.

While photographs do not bring to mind music, they often speak to me either through haiku or a haiku accompanies me during a photo walk. There are associations with images and scent as well as music and memory.

Music seems more abstract than other art forms because it represents emotional states, symmetry and repetition, and other intangibles. But just because you can’t see or touch these things, doesn’t make them any less real. In preliterate societies, music was probably one of the best methods for storing and conveying complex stories and information.***

One of the best ways to understand how the over-all space of creative expression reflects its parts is to imagine yourself inside the space of the artwork…select a place within the composition where you would like to locate yourself for a few minutes of contemplation. …imagine…passing through different areas of the artwork…feel…energetic patterns. (152)****

*cited: The Spring of My life

Trans: Sam Hamill

**used with permission by the artist

***The Ethan Hein Blog (www.ethanhein,com)

**** McNiff, Shawn

Trust the Process

lens-artists: abstract

Ritva Sillanmaki invites lens-artists photographers to “see beyond the surface” and “focus on the shapes, colors, textures, and patterns of the subject, rather than its literal representation.”

Some of the images below were created through the use of double exposure, shutter speed, focus, light and shadow, and gift of nature’s beauty.

lens-artists: rock your word

A cairn is a human-made pile (or stack) of stones raised for a purpose, usually as a marker or as a burial mound. The word cairn comes from the Scottish Gaelic: càrn [ˈkʰaːrˠn̪ˠ] (plural càirn [ˈkʰaːrˠɲ]).

Cairns have been and are used for a broad variety of purposes. In prehistory, they were raised as markers, as memorials and as burial monuments (some of which contained chambers). In the modern era, cairns are often raised as landmarks, especially to mark the summits of mountains. Cairns are also used as trail markers. They vary in size from small stone markers to entire artificial hills, and in complexity from loose conical rock piles to elaborate megalithic structures. Cairns may be painted or otherwise decorated, whether for increased visibility or for religious reasons.

A variant is the inuksuk (plural inuksuit), used by the Inuit and other peoples of the Arctic region of North America.*

*cited: Wikipedia

Video of Erin building a cairn submitted in response to Donna @ WindKisses’ lens-artists challenge: rock your world